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{title} {title} {title}
* News
* Exhibitions
* Current
* Upcoming
* Past
* Artists
* Fairs
* Locations
* Newsletter
Nora Turato
it’s not true!!! stop lying!
February 28–April 27, 2024
Sprüth Magers, Los Angeles
Barbara Kruger
April 12–May 18, 2024
Sprüth Magers, London
Marilyn Lerner
The Journey’s The Thing
April 12–May 18, 2024
Sprüth Magers, London
Alighiero Boetti
Insecure Unconcerned
March 29–May 25, 2024
Sprüth Magers, New York
Nora Turato
it’s not true!!! stop lying!
February 28–April 27, 2024
Sprüth Magers, Los Angeles
Barbara Kruger
April 12–May 18, 2024
Sprüth Magers, London
On View
Barbara Kruger
April 12–May 18, 2024
Sprüth Magers, London
Marilyn Lerner
The Journey’s The Thing
April 12–May 18, 2024
Sprüth Magers, London
Alighiero Boetti
Insecure Unconcerned
March 29–May 25, 2024
Sprüth Magers, New York
Nora Turato
it’s not true!!! stop lying!
February 28–April 27, 2024
Sprüth Magers, Los Angeles
Alighiero Boetti and family in New York City, 1980
Courtesy Agata Boetti and Sprüth Magers
Panel discussion
Mariuccia Casadio, Peter Fischli and Hans-Ulrich Obrist
moderated by Matilde Guidelli-Guidi on the occasion of
Alighiero Boetti
Insecure Unconcerned
Saturday, May 4, 2024
Entry: 10:30am, Panel discussion: 11:00am
RSVP is required, register here or at +1 (917) 722-2370
Sprüth Magers, New York
Sprüth Magers invites you to a panel discussion to coincide with Alighiero
Boetti’s solo exhibition Insecure Unconcerned at the New York gallery. Providing
an overview of Boetti’s seminal oeuvre, the show highlights the artist’s
inventive and conceptually rigorous practice that is based on a philosophical
interest in the liminal space between polarities. Raising existential questions
centered around the theme of ordine e disordine (order and disorder), his modern
parables and metaphors playfully delve into the complexities and contradictions
of the human condition. Interested in the impossibility of formalizing the world
itself, Boetti’s work aims to describe and grasp the present. His conceptual
repertoire is based on the temporal and processual dimensions of art and
continues to have a great influence on contemporary thought. The panel
discussion, taking place during Frieze New York, will be held in English.
* Current
* Upcoming
Cao Fei, MatryoshkaVerse, 2022
© Cao Fei, 2024
Exhibition
Cao Fei
Cao Fei: At the Edge of Superhumanity
SCAD Museum of Art, Savannah
Through July 29, 2024
Since the early 2000s, SCAD deFINE ART honoree Cao Fei has produced
forward-thinking work that acutely responds to and reflects on – in real time –
shifts in our perception and experience of reality during periods of rapid
globalization, urban development, and technological advancement. A pioneer of
creating digital worlds, Cao Fei transforms two galleries at the SCAD Museum of
Art into an immersive multimedia installation featuring live-action films, as
well as virtual, augmented, and mixed-reality environments for visitors to
explore. Blurring distinctions between the terrestrial and the cyber, the
familiar and the futuristic, Cao Fei reveals how the spaces we inhabit shape our
identities and social interactions, and ultimately redirect our search for
meaning and purpose in life.
Cao Fei, DUOTOPIA 03, 2023
© Cao Fei, 2024
Exhibition
Cao Fei
Meta-Mentary
Städtische Galerie im Lenbachhaus, Munich
Through September 8, 2024
In her films, photographs, and walk-in multimedia installations, Cao Fei
addresses the economic and social changes of our time. Digitalization,
globalization, the transformation of urban and suburban structures and thus our
living spaces are at the heart of her art. Her questions focus on the way we
humans live and react to the developments around us and adapt to them or
actively incorporate them into our lives. For her works, Cao Fei herself
sometimes spends time in the virtual community using her avatars China Tracy and
Oz and documents her perception of digital realities in individual imagery and
distinctive artistic spaces. Invention and reality, the fantastic and the
documented, the digital and the human combine to create surreal, dystopian
images and individual aesthetics that can be experienced by the public. Cao
Fei’s exhibition at the Lenbachhaus will also focus on how rapid social change
is being accelerated by digital technologies, affecting and changing human
experience and the self-image of human existence at their core.
Cao Fei, DUOTOPIA Vol.2, 2024 (film still)
© Cao Fei, 2024
Exhibition
Cao Fei
DUOTOPIA Vol.2
The Window, CHANEL Culture Fund, London
Through April 22, 2024
Cao Fei’s brand new work DUOTOPIA Vol.2 is on view 24 hours a day through May 22
in The Window, CHANEL Culture Fund’s public art project on the façade of the
Time & Life building on Bruton Street, London. At once familiar and surreal, the
hypnotizing digital artwork meditates on the connective and creative
possibilities of virtual worlds. DUOTOPIA Vol.2 is the second iteration of
DUOTOPIA, commissioned by Meta City, the artist’s constantly expanding
architectural creation in the Metaverse. Completed earlier this month, the work
extends the virtual cityscape into a universe with culture, economy and leisure
activities of its own. As the camera takes the viewer on a virtual tour, Cao Fei
provides an opportunity to contemplate the complex meeting of virtual reality,
evolving technology and human experience.
Showcasing compelling works of contemporary digital art, The Window offers
passers-by a chance to interact with cutting-edge artworks and engage with this
fast-moving genre. Following the launch on Bruton Street, DUOTOPIA Vol.2 will
feature prominently in Cao Fei’s upcoming solo exhibition at Lenbachhaus in
Munich, opening in mid-April.
Walter Dahn, Morgan Freeman, 2024
Exhibition
Walter Dahn
with Johannes Brus
Fuhrwerkswaage, Cologne
Through May 18, 2024
For the very first time, works by Walter Dahn are presented alongside sculptures
by Johannes Brus in this new exhibition at Fuhrwerkswaage, Cologne. Like
collages of superimposed images and text, condensed like flickering thoughts or
blurred memories, Dahn’s photo works oscillate between film still, drawing and
painting. The works are a testament to the artist’s versatility, whose oeuvre
encompassed different media and spanned over four decades. As Brus’ sculptures,
simultaneously rough and enigmatic, are juxtaposed with Dahn’s works, the
resulting dialogue offers an intriguing exploration of the relation between man
and nature, the in-between, and the essence of art itself. On the occasion of
the exhibition, a catalogue with a text by Oliver Tepel will be published.
Sylvie Fleury, Insolence, 2007
Photo: Ingo Kniest
Exhibition
Sylvie Fleury
Yes to All
Kunsthal Rotterdam
Through September 8, 2024
In the spring of 2024, Kunsthal Rotterdam is presenting a large-scale exhibition
of the work of the Swiss artist Sylvie Fleury. For the very first time her
provocative installations, sculptures, ready-mades, and paintings will be shown
in the Netherlands. In a playful way, Fleury challenges the cultural constructs
of gender stereotypes. She uses modern advertising strategies such as
attention-seeking slogans, brightly colored neon lights, and seductive
presentations to explore the boundaries between contemporary art and
consumerism. Incorporating elements from the worlds of fashion and film, pop
culture, and art history, Fleury consistently succeeds in creating unexpected
new stories, always infused with a generous dose of humor and individuality.
Gilbert & George – Pink Elephants, installation view, Herbert Foundation, Loods,
2023
Photo: K Daem. Courtesy Herbert Foundation
Exhibition
Gilbert & George
Pink Elephants
Herbert Foundation, Loods
Through July 28, 2024
Gilbert and George have been working as an artist duo since the early 1960s. For
Gilbert & George there is no distinction between the artist and the artwork.
“The life of Gilbert & George is art.” Their versatile oeuvre is both current
and provocative and is equally romantic and humorous. Although they always place
themselves and their lives at the center of their art, they transcend the
personal and their work touches upon universal themes such as identity,
sexuality, religion, and politics. The presentation Gilbert & George – Pink
Elephants emphasizes Gilbert & George’s early work and shows the radical
position they took from the outset.
© Gilbert & George
Exhibition
Gilbert & George
LONDON PICTURES
The Gilbert & George Centre, London
Opens April 12, 2024
Celebrating a year since opening, Gilbert & George are thrilled to announce the
second exhibition to take place at the Gilbert & George Centre – the ‘LONDON
PICTURES’. The largest group of pictures created by Gilbert & George, they offer
both a directory of urban human behaviour and a moral portrait of our times.
Over a number of years, Gilbert & George stole newspaper posters found across
London, filtering and sorting the stories they conveyed by subject matter. More
than a decade since they were first unveiled on a global tour, the Centre will
present 28 of the 292 pictures from the ‘LONDON PICTURES’ series, many of which
have not been seen in the UK previously. Viewing these ‘LONDON PICTURES’ in 2024
will prompt viewers to consider how society has changed and what has remained
central to our shared experience.
Nancy Holt with Mirrors of Light II, Walter Kelly Gallery, Chicago, 1974
© Holt/Smithson Foundation / VG Bild-Kunst, Bonn 2023. Photo: John R. Bayalis
Exhibition
Nancy Holt
Circles of Light
Gropius Bau, Berlin
Through July 21, 2024
Over the course of five decades, Nancy Holt explored how we perceive our
environment and how we attempt to understand our place on the surface of this
planet. From March 2024, the Gropius Bau presents Circles of Light, the artist’s
most comprehensive survey exhibition in Germany to date. It includes film,
video, photography, sound works, concrete poetry, sculptures and expansive
installations as well as drawings and documentation from over 25 years.
In her artistic practice, Nancy Holt reimagined site-specific installations and
ways of working with natural and artificial light. She began focusing on
ecological aspects at an early stage and incorporated the earth’s rotation,
astronomy, time and space into her sculptures, constantly challenging us to look
beyond what we think we know. Holt’s working process will have a particularly
tangible presence in the exhibition at the Gropius Bau through texts and
recordings by the artist.
Barbara Kruger, Silent Writings, 2009/2024 (artwork still)
Courtesy of Outernet Arts
Public Art Project
Barbara Kruger
SILENT WRITINGS, 2009/2024
Outernet Arts, London
Through April 22, 2024 (every Monday: 6–9pm)
Outernet Arts and Serpentine continue an innovative partnership presenting a
digital artwork Silent Writings by American artist Barbara Kruger that explores
how we communicate and connect with each other.
In Silent Writings, 2009/2024, Barbara Kruger explores how we communicate and
connect with global events and with each other. The piece weaves images and
words in an attempt to engage issues of control, power and dominance. Kruger
incorporates her own words alongside quotes from writers and philosophers
including Aimé Césaire, Goethe, Thomas Mann and Mary Therese McCarthy. These
quotes touch on themes of violence, political modes of operation and
spectatorship. Kruger manipulates selected words, enlarging or removing them to
highlight their meanings and create new ones.
Reinhard Mucha, Werden / Edition 1991 – »Kreuzstück«, [2016] 2016 / 2004, ©
muchaArchive / VG Bild-Kunst, Bonn 2024, Photo: Mucha
Exhibition
Reinhard Mucha
Mucha – WICHTIG LEBEN !
Michael & Eleonore Stoffel Foundation – nw9, Cologne
Through October 18, 2024
The Michael & Eleonore Stoffel Foundation presents the exhibition Mucha –
WICHTIG LEBEN ! which features a selection of works by Reinhard Mucha, mainly
from their collection.
Senga Nengudi with Water Composition II, ca. 1970
Courtesy Tilton Gallery, New York
Exhibition
Senga Nengudi
Dia Beacon, New York
Through early 2025
Dia Art Foundation will present a long-term exhibition of work by Senga Nengudi,
which will open at Dia Beacon on February 17, 2023. Sculptures and room-sized
installations made between 1969 and 2020, including recent acquisitions for
Dia’s permanent collection, will be on display. This long-term exhibition of
Nengudi’s work will be accompanied by a performance program and publication,
revealing the multiplicity of her practice.
Otto Piene, inflation trial for Olympic Rainbow, St. Paul, MN, USA, August 1,
1972
© 2023/2024 Pro Litteris, Zurich; Otto Piene Estate. Photo: Jean Nelson, Otto
Piene Archive
Exhibition
Otto Piene
Paths to Paradise
Museum Tinguely, Basel
Through May 12, 2024
Otto Piene (1928−2014) aimed high with his art: to shape a more harmonious,
peaceful, and sustainable world. His expansive view explored new media and
projected aesthetic forms and experiences into new spatial realms.
Structured thematically, the monographic exhibition Otto Piene: Paths to
Paradise traces his utopian vision as expressed in works from his most
significant series and projects in conversation with his lifelong practice of
sketching. Together these works reveal Piene’s use of sketching and drawing in
both narrow and broad, literal and figurative senses, and provide an expanded
definition in connection to a visionary practice that embraced the application
of new technology.
Image: Jon Rafman
Exhibition
Jon Rafman
Player Character
Basement Roma, Rome
Through May 23, 2024
A visionary interpreter of the troubled human mind, of the streams of
consciousness and the anxieties of the present, Jon Rafman (*1982) explores the
all-encompassing impact of the virtual within the representation of our time.
Through an immense vocabulary drawing from internet culture, virtual world,
video games and insinous areas of the web, Rafman creates surreal and absolute
landscapes in which he nourishes a constant sense of loss and alienation, of
instinct and memory, of resurrection and death, of extreme sacrifice and
rebirth. In a world oppressed by obsession, paranoia, a sense of emptiness and
loss, the artist leads us into the most concealed realms of the web, among the
viscous drives that replace reality and at the same time embody it.
Photo: Timothy Schenck
Commission
Pamela Rosenkranz
Old Tree
High Line, New York
Through September 2024
Sprüth Magers congratulates Pamela Rosenkranz whose monumental sculpture Old
Tree was selected for the third High Line Plinth commission in New York, to be
unveiled in spring of 2023. The bright red and pink imaginary tree animates a
myriad of historical archetypes wherein the tree of life connects heaven and
earth while also closely resembling the complex networks of the human
circulatory system. Located on the High Line—an urban park built on a relic of
industry—and selected from among over 80 international proposals by artists from
40 countries, Old Tree raises questions about the real while simultaneously
highlighting a breakdown of the boundary between nature and artifice.
Ed Ruscha, Standard Station, 1966
© Ed Ruscha, 2024
Exhibition
Ed Ruscha
ED RUSCHA / NOW THEN
Los Angeles County Museum of Art – LACMA
Through October 6, 2024
Ed Ruscha has consistently held up a mirror to American society by transforming
some of its defining attributes – from consumer culture and popular
entertainment to the ever-changing urban landscape – into the very subject of
his art. In 1956, Ruscha left Oklahoma City to study commercial art in Los
Angeles, where he drew inspiration from the city’s architectural landscape –
parking lots, urban streets, and apartment buildings – and colloquial language.
As his first comprehensive, cross-media retrospective in over 20 years, ED
RUSCHA / NOW THEN traces Ruscha’s methods and familiar subjects throughout his
career and underscores the many remarkable contributions he has made well beyond
the boundaries of the art world. The exhibition includes his early works
produced while traveling through Europe, his installations – such as the
Chocolate Room and the Course of Empire presented at the Venice Biennale in 1970
and 2005, respectively – and his ceaseless photographic documentation of the
streets of Los Angeles beginning in 1965.
Cindy Sherman, Untitled, 2019
© Cindy Sherman, 2024
Exhibition
Cindy Sherman
Tapestries
Fotografiska, Stockholm
Through June 9, 2024
In Tapestries, Cindy Sherman’s exploration of tapestry as a medium represents a
shift in her artistic practice. The historical significance of tapestry, once
valued more than painting, is evident in Sherman’s sumptuous works produced in
Flanders, a region known for its golden age of tapestry in the fifteenth and
early sixteenth centuries. Like historical tapestries, Sherman’s works maintain
a larger-than-life scale. The series of “selfies”, impossible to print in large
scale due to the low-resolution nature of the original images, translates well
in to woven textiles, which in turn resonate with the pixelation of the source
material: pixels, here, translate to the warp and weft of thread.
Marcel van Eeden, Untitled (Braunschweig), 2023
© Marcel van Eeden, 2024
Exhibition
Marcel van Eeden
Der heimliche Kaiser
Museum für Photographie Braunschweig and Mönchehaus Museum, Goslar
Through April 21, 2024
Presented concurrently at both Museum für Photographie, Braunschweig and the
Mönchehaus Museum, Goslar, this two part exhibition will show both drawings and
photographic work based on the rubber printing process of early photography,
some of which have been realized especially for the exhibition with references
to Braunschweig and Goslar, among other places. Taken in the present, the motifs
of these seemingly painterly photographic works, like the drawings, appear as
artistic interpretations of historical moments. Marcel van Eeden undermines an
uncritical belief in historical factuality and uses the power of suggestion and
imagination in combination with actual historical moments.
Photo: Studio John Waters
Exhibition
John Waters
John Waters: Pope of Trash
Academy Museum of Motion Pictures, Los Angeles
Through August 4, 2024
John Waters: Pope of Trash is the first comprehensive exhibition dedicated to
the artist’s contributions to cinema. The exhibition delves into his filmmaking
process, key themes, and unmatched style. Works on view include costumes, props,
handwritten scripts, correspondence, scrapbooks, photographs, film clips, and
more, revealing the nuances of independent filmmaking and the ways in which
Waters’s movies have redefined the possibilities of independent cinema.
Thea Djordjadze / Rosemarie Trockel, Lob der Langeweile, 2008
© Thea Djordjadze and Rosemarie Trockel/VG Bild-Kunst, Bonn 2024
Exhibition
Thea Djordjadze, Rosemarie Trockel
ROSEMARIE TROCKEL / THEA DJORDJADZE
Städtische Galerie im Lenbachhaus, Munich
November 12, 2024–April 27, 2025
The Lenbachhaus will present a collaborative work by the artists Rosemarie
Trockel and Thea Djordjadze. Djordjadze was Trockel’s student at the
Kunstakademie Düsseldorf from 1998 to 2001 and the two have maintained a close
artistic relationship ever since, realizing numerous joint projects and
exhibitions. In their exhibition at Lenbachhaus, the artists want to delve into
the conception of beauty and challenge established aesthetic conventions, taking
inspiration from reflections by the poet Arthur Rimbaud. Rimbaud’s opening lines
from “Une saison en enfer” (1873) provide a leitmotif for the artists’ approach:
“One evening I sat Beauty on my knees. And I found her bitter and I reviled
her.”
Jenny Holzer, installation view, Solomon R. Guggenheim Museum, New York,
December 12, 1989–February 25, 1990
© Solomon R. Guggenheim Foundation, New York. Photo: David Heald
Exhibition
Jenny Holzer
Light Line
Solomon R. Guggenheim Museum and Foundation, New York
May 17–September 29, 2024
This exhibition will present a reimagination of Jenny Holzer’s landmark 1989
installation at the Guggenheim. Climbing all six ramps of the Frank Lloyd
Wright-designed rotunda to the building’s apex, the new manifestation of
Holzer’s electronic sign extends and builds upon the artist’s vision from
thirty-five years earlier. The site-specific work will transform the building
with a display of scrolling texts from her earliest series of truisms and
aphorisms to more recent experiments with language generated by artificial
intelligence. Holzer’s iconic use of the written word throughout her career has
long captivated audiences around the world and this solo exhibition will feature
little known examples of Holzer’s work spanning her career from the 1980s
through today.
Projection
Jenny Holzer
For the Guggenheim – Light Projection
Solomon R. Guggenheim Museum and Foundation, New York
May 16–20, 2024
8–11 pm EDT
To celebrate the opening of Jenny Holzer: Light Line, the artist’s projection
For the Guggenheim will illuminate Frank Lloyd Wright’s iconic curving
architecture with a selection of poems and eyewitness accounts that speak to the
necessity of peace. Featuring voices from around the world, Holzer’s projection
will transform the building and its surroundings into an environment for
gathering, contemplation, and discussion. Free and open to all.
Natures Mortes, installation view, Palais de Tokyo, Paris, 2021
Courtesy the artist, Palais de Tokyo. Photo: Andrea Rossetti
Exhibition
Anne Imhof
Kunsthaus Bregenz
June 8–September 22, 2024
Anne Imhof is one of the most important contemporary artists of our time. Her
signature artistic expression is rooted in performance pieces, where casts of
androgynous figures navigate the space with a captivating blend of impassive
poise and elaborate choreography within an immersive audio-visual experience.
This dynamic interplay, underscored by the inclusion of ubiquitous and iconic
elements of fashion, photography, and an amalgamation of subculture and popular
culture, creates an atmosphere reminiscent of post-apocalyptic isolation.
Within the austere confines of Kunsthaus Bregenz, Anne Imhof ushers in a
compelling transformation. In this enigmatic creation, a paradox unfolds, taking
the shape of both a barricade and a proscenium. For the KUB exhibition, Imhof
will focus on painting and sculpture, which form the crux of her artistic
practice, mirroring the fluid evolution of her performative works. The human
figure now assumes an allegorical presence, offering a heightened sense of
Imhof’s trademark exploration of the human condition.
Kraftwerk, Autobahn, 3-D Concert, Kunstsammlung NRW, Dusseldorf, 2013
© Peter Boettcher
Concert
Kraftwerk
50th Anniversary of Autobahn
Walt Disney Concert Hall, Los Angeles
May 21–30, 2024
Over nine nights at Walt Disney Concert Hall, legendary German electronic music
pioneers Kraftwerk will celebrate the 50th anniversary of their album Autobahn,
which was composed, produced, and recorded by Kraftwerk founders Ralf Hütter and
Florian Schneider in 1974.
The concert series will present eight Kraftwerk albums: Autobahn (1974),
Radio-Activity (1975), Trans Europe Express (1977), The Man-Machine (1978),
Computer World (1981), Techno Pop (1986), The Mix (1991), and Tour de France
(2003). Each night will feature one complete album plus additional compositions
from their catalog. Concert number nine will be a finale with groundbreaking
works spanning five decades of the Kraftwerk repertoire.
Anthony McCall, Doubling Back (2003), installation view, Museo d’arte della
Svizzera italiana, Lugano, 2015
Photo: Stefania Beretta
Exhibition
Anthony McCall
Split Second
Museo Guggenheim Bilbao
June 20–October 11, 2024
Coinciding with the 10th anniversary of the Museum’s program devoted to artistic
practices of the moving image, the Film & Video Gallery will host the radically
abstract, film-based work of Anthony McCall. In clear dialogue with the works of
Richard Serra and Lucio Fontana in the Museum Collection, this exhibition will
feature the premiere of a single new work, Split Second (Mirror) IV (2024),
alongside the historic projection piece Miniature in Black and White (1972) and
a series of photographic prints.
© Sprüth Magers 1983–2024
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