coma.omfm.ru
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Submitted URL: http://coma.omfm.ru/
Effective URL: https://coma.omfm.ru/
Submission: On August 18 via api from US — Scanned from NL
Effective URL: https://coma.omfm.ru/
Submission: On August 18 via api from US — Scanned from NL
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10:53 LIGHT YEARS AUN PLAYING NEXT AT 10:59 We Are Not Alone Frozen Thoughts Hard rock fans never die! The just multiply! RECENTLY PLAYED 10:49 For Whom the Bell Tolls William Basinski 10:40 The Administrator 2 Maeror Tri ... ... ... ... ... ... ... ... ... c(OM)aFM.ru : * Download m3u Playlist / Icecast2 transmition * -------------------------------------------------------------------------------- * Download HLS playlist (m3u8) * -------------------------------------------------------------------------------- * Download *.pls 10:54 CEST C(OM)AFM.RU 10:54 CEST PLAYLIST: ENJOY YOUR COMA... PLAYING NEXT AT 10:59 We Are Not Alone Frozen Thoughts NOW PLAYING 00:56 / 06:16 10:53 LIGHT YEARS AUN PHANTOM GHOST RECENTLY PLAYED 10:49 For Whom the Bell Tolls William Basinski 10:40 The Administrator 2 Maeror Tri 10:34 I'm Transmitting Tonight Tim Hecker 10:25 Sele Lustmord & Karin Park 10:15 Borough of Shadows Har and Altus -------------------------------------------------------------------------------- LYRIC -------------------------------------------------------------------------------- Transmissions from The State of Emptiness | From coma of the soul to Awareness | c INPUT DATA: 1) Format: *.flac 2) Genre: ... .....Abmbient, .....Drone, .....Field Recordings 3) Status: Ready. OUTPUT DATA: 1) Awareness 2) Subconcious Learning 3) Format: AAC 192 Kb/s 4) Sanity 5) Meditative state of mind 6) Status: Complete. Do androids dream of electric sheep? | And if you gaze long enough into an abyss... ...beautiful music every second... Artists: 2814 36 zakè Adham Shaikh Alio Die Aglaia Antonio Testa Parallel Worlds Altus anthéne Arecibo Arushi Jain Ascendant Atomic Skunk AUN Between Interval Biosphere Deathprod Brian Eno Bvdub Byron Metcalf Erik Wøllo Peter Phippen Christopher Bissonnette Matt Borghi Cyber Zen Sound Engine David Helpling David Tagg Deepspace Dessin Bizarre Doc & Lena Selyanina Dreams Of Dying Stars Erik Wollo Fanger & Schönwälder Forest Walker Forrest Fang Frore Frozen Thoughts Gdanian Global Communication 'God Body Disconnect Grouper Har and Altus Ian Boddy Ian Hawgood Wil Bolton Ishq Isostatic Jeff Greinke Jeff Pearce Jim Ottaway Jon Jenkins Jonn Serrie Juta Takahashi Kevin Kendle Klaus Wiese Lustmord Maeror Tri Maggi Payne Mathias Grassow Matt Borghi Michael Teager Meg Bowles Michael_Stearns Ron Sunsinge Morphon Moss Covered Technology Motionfield Mystical Sun Nadja Lind Zero Ohms Oneohtrix Point Never Oophoi Tau Ceti O Yuki Conjugate Peter Andersson Ran Kirlian Jaja Remote Vision Richard Bone Robert Davies Robert Rich Robert Schroeder Rod Modell Rudy Adrian Saåad Segue Siavash Amini Simon Scott Spacecraft Stars Of The Lid Steve Roach Stormloop Tangerine Dream Telomere The Caretaker The Gerogerigegege Tim Hecker raison d’etre Troum Underwater Sleep Orchestra Vangelis Vidna Obmana Vir Unis Warmth William Basinski Winterblood Witxes Yair Elazar Glotman Yann Novak Yuya Ota Staruha Mha Anugama Carbon Based Lifeforms Liquid Mind Numina Void Stasis Dead Melodies and Beyond the Ghost Randal Collier-Ford Crypthios Skrika Atrium Carceri and Kammarheit and more… Close c()aFM.ru ABOUT Transmissions from The State of Emptiness. From coma of the soul to Awareness. WHY COMA? Every day around the world, thousands of people are placed in medically-induced comas. For some coma survivors, the experience is an utter blank. Others lay paralyzed, aware of everything around them but unable to move, speak, or even blink. Many experience alternate lives spanning decades, lives they grieve once awakened. Some encounter ultra-vivid nightmares, while others undergo a deep, spiritual oneness with the universe or say they have glimpsed the afterlife... Explore the extraordinary states of expanded consciousness that arise during comas, both positive and negative with ambient soundscapes... HOW TO LISTEN... Tune in and listen right on the spot. Hit the "play" button. Or use links below: http://radio.omFM.ru:8020/coma.aac or https://raio.omfm.ru/hls/coma/live.m3u8 m3u for Apple Music, VLC WinAmp Windows Media Player Or listen to HLS-stream directly: https://radio.omfm.ru/hls/coma/live.m3u HLS (http Live Stream) Input format: FLAC. Output format: AAC 192 kb/s (encoded with fdkaac). Icecast. Historically, Icecast was the main open-source server used in order to serve streams over the internet. On a first connection, the client starts by buffering audio (in order to be able to cope with possible slowdowns of the network): Icecast therefore begins by feeding it up as fast as possible and then sends the data at a peaceful rate. It also takes care of handling multiple stream generators (which are called mountpoints in its terminology), multiple clients, replaying metadata (so that we have the title of the current song even if we started listening to it in the middle), recording statistics, enforcing limits (on clients or bandwidth), and so on. Icecast servers support relaying streams from other servers, which is useful in order to distribute listening clients across multiple physical machines, when many of them are expected to connect simultaneously.. HLS. Until recently, the streaming model as offered by Icecast was predomi-nant, but it suffers from two main drawbacks. Firstly, the connection has to be kept between the client and the server for the whole duration of the stream, which cannot be guaranteed in mobile contexts: when you connect with your smartphone, you frequently change networks or switch between wifi and 4G and the connection cannot be held during such events. In this case, the client has to make a new connection to the Icecast server, which in practice induces blanks and glitches in the audio for the listener. Another issue is that the data cannot be cached as it is done for web traffic, where it helps to lower latencies and bandwidth-related costs, because each connection can induce a different response. For these reasons, new standards such as hls (for http Live Stream) or dash (for Dynamic Adaptive Streaming over http) have emerged, where the stream is provided as a rolling playlist of small files called segments: a playlist typically contains the last minute of audio split into segments of 2 seconds. Moreover, the playlist can indicate multiple versions of the stream with various formats and encoding qualities, so that the client can switch to a lower bitrate if the connection becomes bad, and back to higher bitrates when it is better again, without interrupting the stream: this is called adaptative streaming. Here, the files are downloaded one by one, and are served by a usual http server. This means that we can reuse all the technology developed for those to scale up and improve the speed, such as load balancing and caching techniques typically provided by content delivery networks. It seems that such formats will take over audio distribution in the near future, and Liquidsoap already has support for them. Their only drawback is that they are more recent and thus less well supported on old clients, although this tends to be less and less the case. GENRES Ambient. Dark Ambinet. Drone. Field Recordings. Minimal. Abstract. CAN C(OM)AFM MAKE YOU MORE PRODUCTIVE? Music is magical. It has the potential to boost our concentration, mindset, and performance. In the context of work, background music has been found to improve our performance on cognitive tasks, such as spatial or verbal ability tests, for short periods of time. My own research has shown that music is a powerful emotional regulation tool, and a recent meta-analysis found that music therapy is an effective way to reduce feelings of stress and anxiety. If you’re working in a noisy office, home, or café, you’re probably grateful for your noise-cancelling headphones. Even for those who prefer to work in silence, picking the right music is more likely to help you relax and focus than having to listen to their colleagues, kids, or strangers. In short, music is a soothing distraction from other tedious or irritating noise interruptions. The rhythmic symphony of music, a language that transcends borders and cultures, holds a captivating power over the human spirit. A timeless and universal medium, it soothes, uplifts, and unites, stirring emotions that words often fail to capture. Yet, beyond its traditional role as a source of enjoyment and artistic expression, music’s potential as a catalyst for cognitive enhancement has garnered scientific attention. The ambient strains of background music, in particular, are emerging as a powerful tool for stimulating cognitive performance, concentration, and productivity. ABOUT ME My name is Stefan. @gAlleb at github. Enjoy your coma... WHAT'S ON YOUR MIND? You are welcome to get in touch if you have any feedback, thoughts, or questions. Mail me Telegram Submit a contact form Open form Oops!! There has been an error. Try editing your input data. Submit Success. Click here to submit another form. Close 00:56 06:16 70% 70% ONAIR AUN - Light Years