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UKRAINE


WAR-LIFE BALANCE: HOW THE LIVES OF UKRAINIAN CREATIVES HAVE BEEN RESHAPED BY WAR


3 PERSONAL STORIES OF LIFE AMID INVASION

These stories show of how the Ukrainian creative community adapted to the new
wartime reality.Mykhaylo Batrak
By Yaroslav Druziuk

3 days ago

The following article is from Adweek’s special issue “On Ukraine, by
Ukrainians,” published April 25, 2022, and created entirely by Ukrainian
writers, editors and artists amid the ongoing all-out war in their homeland.

After Feb. 24, life is never gonna be the same for any Ukrainian. The brutal and
unprovoked russian invasion has changed the lives of the 40-million nation
overnight.

These are three stories of how the Ukrainian creative community adapted to the
new wartime reality:



ONE SPARE SEAT IS ONE LIFE SAVED

Andrii Mishchenko overslept the start of the war. An independent creative
strategist, he had flown back to Ukraine mere hours before russia reignited the
8-year war on Feb. 24. Mishchenko and his wife were on vacation in Barcelona but
decided to go back to Kyiv on Feb. 23 despite the looming threat of war. They
were tired after a day of traveling, coming back home from the airport late.

Then the full-scale war started. 

“Wake up, russia has invaded us,” Mishchenko recalls telling his wife. They had
to flee Kyiv, but neither he nor his wife had a driver’s license. His
father-in-law insisted on getting them out of the city, driving out for them
from Chernivtsi, 340 miles away. To meet him halfway, they started asking around
if someone could pick them up while leaving the city. Eventually, they found a
friend heading their way and had spare seats in the car.



The whole trip took 22 hours. The eventual feeling of safety, he confides, was
comparable to the one he had after escaping his hometown of Donetsk, captured by
the russian forces and their proxies back in 2014.

--------------------------------------------------------------------------------

--------------------------------------------------------------------------------

Mishchenko knew what exactly he needed to do the next day. He reached out to his
friend Vitaliy Bandura to develop an evacuation service. “Vitalik was in Odesa
the day the war started, but he had a car, so he was picking up hitchhikers on
the way. The idea was to connect drivers and the people who need a ride,”
Mishchenko explains. So they created the free Nam Po Dorozi bot in Telegram
messenger to connect drivers and evacuees while rideshare apps were
overwhelmed. 

The project was launched on Feb. 28, and in the first week it got 10,000
requests. The drivers were outnumbered, so Mishchenko and Bandura launched a
campaign on Instagram with an effective call to action: “One spare seat is one
life saved.” 



Continue reading

Mishchenko’s now keeping himself busy in Chernivtsi’s relative safety. He’s
organizing a team that creates campaigns for the Ukrainian government, and he’s
also been involved in Act Like Zelensky NFT collection. He was working 20-hour
shifts for the first weeks of the war, but now tries to take at least half a day
off to recover. “In wartime, everyone’s got to do their best,” Mishchenko says.
“Soldiers have to fight, and the creative community has to help with creative
problem-solving.” 

Mykhaylo Batrak

SWITCHING FROM AD TO BREAD—FOR THE WARTIME

Meriam Yol is a producer turned wartime warehouse manager. “The producing
experience definitely comes in handy,” she says. 

The Arriba! creative agency producer started to volunteer on the very first day
of the full-scale war and has unexpectedly been running a coffee shop in
Kharkiv. “The owners had to leave the city but gave me the keys. So we’re trying
to keep it busy now,” Yol says. Coffee, tea, and the fancy vegan sweets were
good, but baking equipment was better. The team started to bake 150 loaves of
bread a day for those in need. 



When Arriba! founder Max Burtsev launched the Volonterska volunteering effort,
Yol was put in charge of its warehouse. “I’m a warehouse manager now. It’s like
a difficult location shoot, with five location changes,” she says. “And with
rockets flying over your head.” 

Every day, the Volonterska team organizes food and medicine for hundreds of
elderly residents in the constantly shelled Kharkiv. “It’s the people who don’t
have messenger apps that need help. And the way to reach them is with the
landline,” Yol explains. So Arriba! set up a call line for the people who need
support.

Yol’s job is to manage the incoming humanitarian aid and make sure the supplies
are readily available. “Say we get a call from an elderly man with psoriasis,
urgently needing a specific ointment. The medicine is nowhere to be bought in
Kharkiv, but it can be delivered. So we need to find a way to get it. Even if it
requires a unicorn,” she explains. 



Yol tells the recent story that moved her. A woman left a request for delivery:
food for one person, pump for a wheelchair, no need for medicine. “Send it to
the people who need it more,” the woman added in notes.

“These people—that’s what keeps me going,” Yol says. 

Continue reading

LIVE, LEAVE, LOVE

Ilia Anufrienko had a feeling the war was coming. A week before the invasion,
the Bickerstaff.284 agency founder took his pregnant wife and two children to a
safer place in the west of Ukraine. The news about the war reached him on the
train to Lviv. “It’s not the rockets you hear, it’s fireworks,” he recalls
consoling his daughter.

Anufrienko’s first instinct was to make sure his family was safe, so he decided
to head to Europe. It was shortly before the Ukrainian men aged 18 to 60 were
forbidden from leaving the country. Anufrienko says that he moved fast, because
he’d been there before. Back in 2014, the art director had to go back to his
hometown Luhansk to evacuate his mother from the russian occupation. “Everyone
thought I was being paranoid when I took my family to Lviv. But 2014 taught me
that anything can happen—no matter how crazy it seems. And I just couldn’t
imagine hiding in a bomb shelter with my pregnant wife,” he says. 

The family is safe in Portugal now, Anufrienko’s wife is due to give birth
shortly. He’s making the most of his safety, working on several projects such as
a plea to the russian soldiers’ mothers and a hip-hop campaign for a dog
shelter. 

--------------------------------------------------------------------------------

--------------------------------------------------------------------------------

There’s no business as usual in wartime. Anufrienko’s team is working remotely
now from different parts of Ukraine and Europe: “We’re working faster,” says the
Bickerstaff founder. “The projects that took five reviews are getting approved
in no time. Every minute counts.” Anufrienko adds that he’s taking time to talk
to his colleagues individually, offering help and support.

Bickerstaff.284 is the LIA and Epica Award-winning agency founded by Anufrienko
in 2020. He says part of the reason he wanted to lead a team of his own was to
focus on social projects. “I told my team that our priority is to help the
Ukrainian government fight the invaders,” the founder says. Their newest
campaign is the Glory to Ukraine foundation for the Ukrainian parliament. 

Anufrienko says he’s received offers from the European agencies both before and
after the invasion, but his priority is Bickerstaff. “We have 17 team members. I
can’t leave them; that’d feel like a betrayal to me. We just have to keep
working and trying to help Ukraine and the economy,” he says.  

Continue reading

With nearly 5 million people fleeing Ukraine, the nation faces an unprecedented
brain drain. Anufrienko is adamant he stands with his homeland: “I don’t plan to
go back, because the way I see it, I never left. We’re trying to help from
here.”

--------------------------------------------------------------------------------


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This story first appeared in the April 25, 2022, special issue of Adweek
magazine, created entirely by Ukrainian writers, editors and artists.


YAROSLAV DRUZIUK

Yaroslav Druziuk is deputy editor in chief at The Village Ukraine, covering
culture, creative industries and the restaurant business. He has had bylines in
The Guardian, New York Magazine, The Independent, Vulture, Eater and The
Athletic.

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