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WANG'S WORLD
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WANG'S STATEMENT

王的自述




在形式和理念上遵循美术史的发展特点，对当代艺术有着真正的兴趣和研究，是个虚无的悲观主义者，赞同杜尚“刺激视网膜神经”的艺术形式已经到了尽头的理念，因此作品不追求传统的审美观念，不做普世的主观认同，在自我的完全认知下实验性的探索精神诉求…
Follow the development characteristics of art history in form and concept, have
a real interest and research in contemporary art, is a nihilistic pessimist,
agrees with Duchamp's concept that the art form of "stimulating retinal nerves"
has come to an end, so the works do not pursue traditional aesthetic concepts,
do not do universal subjective identity, and explore the spiritual appeal of
experiments under the complete cognition of the self...
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EVENTS

SOURCE OF INSPIRATION

末路棋后
Through the Clouds
“在这麻木迟钝、毫无欢乐的时代，我又一次生动地感觉到了纯真的激情，一种心灵里充满阳光、完全献身于艺术的心醉神迷——对于这种精神状态我们这些人似乎早已忘怀了。我心里充满敬畏之情，我无法用别的方式来表达——虽然我还因为不知原因而一直感到羞愧。”
                                  ——－摘自茨威格《象棋的故事》
"In this age of sluggishness and devoid of joy, I once again vividly felt the
passion of innocence, a state of mind full of sunshine and a total devotion to
art—a state of mind that those of us seem to have long forgotten. I was filled
with awe that I couldn't put into words—though I was ashamed for some reason. ”
                               ——- excerpt from Zweig's "The Story of Chess"

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