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MY TICKET CONFESSION

A home for those who love almost everything about The Ticket (1310 AM, 96.7 FM,
Dallas-Fort Worth), and who would like to discuss -- respectfully and fondly --
their thoughts on how (and whether) to eliminate the "almost."





WEDNESDAY, MAY 18, 2022


FAREWELL, DANNY



Posted by The Plainsman at 6:37 PM 47 comments:
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THURSDAY, MAY 5, 2022


I WAS IN COACHELLA; I DIDN'T SEE CORBY. I WAS AT THE LINQ IN LAS VEGAS DURING
THE DRAFT; I DIDN'T SEE JAKE. I'M WRITING THIS FROM PHOENIX.



Posted by The Plainsman at 12:40 PM 19 comments:
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FRIDAY, FEBRUARY 18, 2022


WILL SOMEONE PLEASE TELL SHANE MULLEN OF MULLEN & MULLEN LAW FIRM, SPONSOR OF
TICKETSTOCK, WHAT A "SPOILER" IS?



Posted by The Plainsman at 9:55 AM 96 comments:
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TUESDAY, JANUARY 18, 2022


ALL-PRO HAS CHANGED ITS ADS


Per always, see first comment below.


Posted by The Plainsman at 9:46 AM 29 comments:
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SUNDAY, DECEMBER 12, 2021


MORE WEIRDNESS FROM ALL-PRO FOUNDATION REPAIR



Posted by The Plainsman at 1:18 PM 45 comments:
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TUESDAY, NOVEMBER 16, 2021


A MORTIFYINGLY TARDY CONGRATULATIONS TO THE TICKET AND EACH AND EVERY MUSER


See first comment below.


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Labels: Marconi, The Musers



TUESDAY, SEPTEMBER 28, 2021


DO YOU REMEMBER "NORMAN"?



Posted by The Plainsman at 9:36 PM 54 comments:
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Labels: Norm Hitgzes, Norman, Sue Thompson



MONDAY, AUGUST 16, 2021


HAPPY 71ST, MIKE RHYNER



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WEDNESDAY, JUNE 30, 2021


A VERY HAPPY BIRTHDAY TO "MY TICKET CONFESSION"


Turning 12 today. Still Your Source for Responsible Ticket Journalism. Such as
it is.


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FRIDAY, JUNE 18, 2021


SOMETHING SPECIAL FOR THE CONFESSOR: "YOU I LIKE"


See first comment.


Posted by The Plainsman at 3:26 PM 6 comments:
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WEDNESDAY, JUNE 16, 2021


IS THE TICKET A SPORTS STATION, REALLY?


See first comment below.


Posted by The Plainsman at 4:31 PM 12 comments:
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THURSDAY, JUNE 3, 2021


"MS. DOBBS? PLEASE HOLD FOR THE DEPUTY DIRECTOR OF ENFORCEMENT, SECURITIES AND
EXCHANGE COMMISSION, FORT WORTH DIVISION."


SEE FIRST COMMENT


Posted by The Plainsman at 1:45 PM 17 comments:
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MONDAY, MAY 31, 2021


WHITHER MTC?


See first comment.


Posted by The Plainsman at 6:40 PM 10 comments:
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Labels: Future of My Ticket Confession, My Ticket Confession



THURSDAY, MAY 20, 2021


I'M SURE SOMEONE HAS TWEETED THIS OUT


but here is the clip of Mr. Ed hitting a home run against Sandy Koufax (Musers,
Sturm Center). https://www.facebook.com/watch/?v=549241279173020 Let me know if
this doesn't open for you. Plainsman

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SUNDAY, APRIL 11, 2021


MY TICKET CONFESSION: I HAVEN'T TUNED IN TO THE TICKET IN SEVERAL WEEKS


Not upset at any of the shows. Not tired of or bored with any of them. No
wokeness issues with any of the hosts. Just seem to have better things to do at
all times of the day. Two more books coming out, including a Christmas fantasy
novella. Working on some songs with a Nashville talent. And, as I believe I said
in my schwanz-song several months back, but if I didn't I'll say it now: Sports
has plummeted on my list of budgeted interests. I realized one day that I had
come to dislike: the owners; the players; the governance; the corruption and
cheating; the overall entertainment value of the presentation. As it turns out,
I did have a bit of inside scoop a while back: Danny's girlfriend is the sister
of a major business contact of mine, so I knew that nativity was on the horizon.
But personal stuff is extremely limited here unless it has something to do with
the shows, so I kept it under my chapeau. I'll keep the site up as a monitored
message board for at least a while longer. But I'll have little idea of what's
going on with the shows unless I find the time to tune back in. Which I may. I'm
an inconstant sort of chap. Also: Blogger has gotten worse and worse as a
platform for this kind of thing. Thank you for shopping at My Ticket Confession.


Posted by The Plainsman at 11:58 AM 47 comments:
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Labels: Hot Sports Opinion, Listening Habits, Scorching Ticket Disquisition, STD



TUESDAY, MARCH 2, 2021


STUFF LIKE THIS KEEPS CAT AND DAN BENNETT UP AT NIGHT. WELL, MAYBE JUST CAT.


https://www.theatlantic.com/ideas/archive/2021/02/what-pandemic-revealed-about-sports/618157/?utm_source=pocket-newtab


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Labels: Sports Ratings



MONDAY, MARCH 1, 2021


BEST WISHES TO NORM HITZGES FOR A CONTINUED RECOVERY FROM WHATEVER, OR WHATEVER
COMBINATION OF THINGS, IS (ARE) AILING HIM



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Labels: Norm Hitgzes



TUESDAY, FEBRUARY 16, 2021


I WILL NEVER PURCHASE A PRODUCT OR SERVICES FROM WELBORN GARAGE DOORS


Hoping that all Confessors are maintaining under the difficult conditions
currently obtaining in Cool Metro. Your loved ones as well. '


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Labels: Welborn Garage Doors



WEDNESDAY, FEBRUARY 3, 2021


CONRAD'S BACK?


Did I miss an announcement? Or isn't he really back?


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Labels: Conrad



SUNDAY, JANUARY 24, 2021


HAPPY 27TH BIRTHDAY, THE TICKET



And may consultants grant you many more.


 

 


Party at The Barley House?




 




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Labels: Ticket Anniversary



WEDNESDAY, JANUARY 6, 2021


I'M OUT OF THE LOOP (I.E., MISSING SOME SHOWS SO MAY HAVE MISSED NEWS) -- WHAT'S
THE DEAL WITH CONRAD?



This red wants to know.


 


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SUNDAY, DECEMBER 20, 2020


URGING ALL CONFESSORS TO CHECK OUT THE GREAT CONJUNCTION OF JUPITER AND SATURN
IN THE SOUTHWESTERN SKY TONIGHT, TOMORROW NIGHT (CLOSEST APPARENT APPROACH, THE
"OFFICIAL" CONJUNCTION) AND FOR SOME DAYS THEREAFTER



[And a very happy 55th birthday this day to Craig "Junior" Miller.]


 Go out 45 minutes/hour after sunset and look to the southwest for the brightest
thing in the sky (other than the moon).  You might think you're only seeing one
object, but look more carefully, perhaps slightly avert your gaze.  They will
only be one-tenth of a degree apart -- about one-fifth the apparent diameter of
the full moon.  Saturn, which is usually intrinsically bright, will be much
dimmer than Jupiter.  As you can see from the chart, it's about twice as far
away.  Jupiter and Saturn will in fact be over a half-billion miles apart at
that time.


 Don't wait too long, as the conjunction will set not long into the night.




 Great Conjunction of 2020

 Wishing all Confessors a safe and happy Christmas.

       -- Plainsman





























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Labels: Conjunction, Great Conjunction of 2020



WEDNESDAY, NOVEMBER 11, 2020


HAPPY 95TH BIRTHDAY, JONATHAN WINTERS (RIP 2013)






 

And, by the way, Alex Trebek's predecessor as Jeopardy! host, Art Fleming (in my
view, a better host than AT), also died of pancreatic cancer (RIP 1995).

 








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Labels: Alex Trebek, Art Fleming, Jonathan Winters



TUESDAY, OCTOBER 27, 2020


HAPPY BIRTHDAY, JOHN CLEESE AND ROY LICHTENSTEIN



 










Posted by The Plainsman at 11:35 AM 20 comments:
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MONDAY, OCTOBER 19, 2020


CLASSIC RED STUNNER, RHONDA FLEMING, RIP AT 97



 


Posted by The Plainsman at 3:16 PM 17 comments:
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WEDNESDAY, OCTOBER 14, 2020


OCTOBER 14, 2020: NATIONAL FOSSIL DAY






























Huntonia Trilobite from Oklahoma.



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FRIDAY, OCTOBER 2, 2020


OCTOBER 2, 2020 -- 130TH ANNIVERSARY OF THE BIRTHDAY OF JULIUS "GROUCHO" MARX



 





 

ThePlainsman1310@gmail.com



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TUESDAY, SEPTEMBER 8, 2020


THANK YOU FOR SHOPPING AT "MY TICKET CONFESSION"



Yes, you guessed correctly.  This is my last column.

I still like The Ticket.

I may be in the minority, but I think 12-3 and 3-7 are both much better shows
since the reshuffling.  The Ticket is handling the fluidity at 10-12 required by
Norm's illness very well.  The weekend shows are stronger than ever.  My Musers
continue to nurture their legend.


Some things have changed, of course.

I realized over the past year or so that I don't like sports that much.  I don't
like the athletes.  I don't like the owners.  I don't like the league
administration.  It was part of the genius of The Ticket that it could still
appeal to a guy like me.

Then two things happened.

The first thing, which is not that important as far as my decision to bid
farewell to MTC, is The Contagion combined with The Unrest, and the effect both
had on The Ticket.


Without sports to talk about because of The Contagion, one might have thought
The Ticket would have been well-positioned to tough it out, since much of their
broadcasting was already non-sports-related.  But it is not handling The
Contagion well.  

Because the hosts chose to fill too many of their now-empty segments with talk
about The Unrest (with a sports angle where possible), and, incidentally, the
political response to The Contagion.  

I'm interested in The Unrest.  But I can hear about that anywhere, and more
authoritatively, and less annoyingly, than I heard it on The Ticket. 


Some of this is not The Ticket's fault.   The response of sports administration
to both The Contagion and The Unrest was an independent news event -- in this
column's view, amounting to rank pandering -- and The Ticket had not much choice
but to talk about it it.   But the editorializing, both implicit and explicit,
that accompanied it struck me as being way out of step with its listenership. 
At least that segment of it that is typing these words.


Can't prove it, but I believe The Ticket's ratings slide is a direct result of
its misestimation of its listeners' tolerance for HOs that are not HSOs.  (Yes,
yet more men brought low by their obsession with hos.)


Not saying the hosts don't have a right to their opinions.  Not even saying they
shouldn't use their soapbox to broadcast it.  Just saying you'll be hearing
punch-outs from here to Waxahachie. 

[[Small-print aside:

Before leaving this topic, which I have avoided in the past, let me say
something in defense of Craig, Bob, Corby, Gordon, and all the rest who seem to
be jumping on the social-justice bandwagon:  These guys are not young men any
more.  When men (women, of course, too) get older, they reflect on what is
important.  It may be dawning on them, as it has dawned on me, that a lot of
what has occupied our days through middle age, while necessary to put bread on
the table, is slight, evanescent, unimportant -- most significantly, empty of
meaning.   There is a craving for meaning, for larger themes, for leaving a mark
that sets the world a little closer to the right direction.  I think we're
hearing some of that restlessness in the noticeable veering of The Ticket away
from entertainment based on sports commentary to bigger topics that increasingly
resonate with these aging stars.   It may not be good radio, but neither is it
bombastic posturing or egotistical lecturing.  

My own path (see second point below) is much the same.  No one has to read my
novel, and no one has to listen to The Ticket.  It is not, and, truth to tell,
never was, must-hear radio.  It's a delightful confection struggling for air in
a time when delightful confections completely dominated by middle-aged white
males are in bad odor.  I feel sorry for them and I'm missing them, but I'm
embracing things I now find more important.  So are they, and I applaud that
mind-set, but nothing about them suggests that they're reliable guides for their
traditional listeners.  But they, each one of them, were a huge part of my life,
and I love them all.]]


I found that I was going days without hearing a single minute of Ticket
broadcasting.  I'd punch out on the political talk, wait for what seemed to me
to be a period where the station surely would have moved on to something of
greater interest, punch back in, and the wearisome woke talk would still be
going on.  

 In addition, I was busy with the second thing I'll get to in a moment. 

It struck me that not listening much to the station would eventually result in
me being a very poor Ticket blogger, if it hadn't already.

But this is going to pass.  This alone would not have made me either forswear
The Ticket, or forswear MTC.  Things will eventually return to normal with a
host lineup, possibly sans Norm but plus Sirois, that I have loved for years.


It is the second thing is luring me further from The Ticket and pretty much
killing my willingness to continue MTC, at least as it has existed since 2009.  

No, it isn't the politicization of the comments.

The second thing is:  I've written a novel.  I expect it to be published within
the next month or so.  Note the passive voice: "expect it to be published."  In
fact, I'm publishing it myself through my own company as do thousands of other
Amazon authors.  I've already started on novel number two, and I expect to write
full time for money, both fiction and non-fiction, from here on out.  Seventy
percent royalties on ebooks on Kindle, not too shabby if you can catch on with
readers who become fans.  Something's gotta give; one of them is my career job,
and another is MTC. 

(I regret not telling you what the novel is, although some of you might like
it.  I am publishing it pseudonymously, and, much as I love The Confessor, I
can't have anyone writing an Amazon review that even says so little as "hey,
this is the guy that did The Ticket blog."  Very sorry; I'd love to have y'all
downloading it or buying the paperback.)

*     *     *

I haven't decided exactly what to do with the site.  I'm not taking it down.  It
is of some very minor interest to the history of The Ticket.  Sometimes, I
suspect, of a little more interest than we know, although perhaps I flatter
myself.  

I have considered just doing a new one-sentence post from time to time to keep
the thing alive as a place where people can come to participate in a curated
discussion forum.  Maybe industry or Cumulus guys will toss me a tip now and
then.  Maybe I'll give that a try and alert Twitter if there's anything of
interest reported.  But (1) would communicants really come here with no actual
content offered (maybe I'll toss up a red with each new post), (2) Reddit exists
(and I may check in there from time to time), and (3) do I really want to spend
any time refereeing flame wars?

*     *     *

My gratitude to The Confessor is immense.  I wish I had a chance to meet you all
-- yes, even grumpasaurus Surly.  I had a lot of fun doing the site and I have
regretted the decline in my output over the past several months.  

But the times are changing for many reasons, and The Ticket is likely to feel
the seismic buckling as much as any aging institution, maybe more.  I'd love to
be around to report it, but commerce, if not art, is calling my name (even if
it's not really my name). 


Fond best regards to all.  

And so, after 945 posts, I Thank You for Shopping at My Ticket Confession, Your
Source for Responsible Ticket Journalism.

ThePlainsman1310@gmail.com
@Plainsman1310


 

Good-bye, Plainsman.  Who are you, anyway?



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Labels: Farewell



THURSDAY, AUGUST 20, 2020


FROM THE DRAFT PILE: ARE ANY CONFESSORS FORMER MEMBERS OF THE HIGHLAND PARK HIGH
SCHOOL TICKET CLUB?



I'm rummaging through old draft posts that never got posted.  Here's one from
2014.  Kind of a give-up at this point, I know, but the more I thought about it,
the more I was interested in the answer.  Let us hear from you if you were in
that club or know anything much about it.  

To make up for its brevity, I offer two reds.

Thanks.

        -- Plainsman
 

*     *     *


Were you or anyone you know a member of the Highland Park High School Ticket
Club?  If so, let us hear from you about those heady days.  The Hardline talks
about the Club once in awhile, and Corby did today.  One of its alumni runs a
website that was the key to raising the money necessary to enable the Foo
Fighters to play the small venue in Virginia where Corby had attended the show.
 I'd like to hear more.

 

  

 

 Oh, all right, all right, here's one more for this crummy post:




 


 

 


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Labels: Highland Park Ticket Club



SUNDAY, AUGUST 2, 2020


BLOG INTERRUPTION: TECHNICAL QUESTION FOR STREAMING EXPERTS






PRELIMINARY NOTE:  Myrna Loy, today's red, would have been 115 today.


*     *     *



For some years I have done a lot of my Ticket listening on the stream via
bluetooth.  I stream from the website -- not from the app -- on my phone.  This
has worked great until recently. 



Now I find that when the Ticket website leaves the screen -- let's say I'm out
on my bike listening with a bluetooth bud and the screen (but not the stream)
goes to sleep -- the stream breaks up into little bits.  No content is lost, but
the voices all experience gaps that makes them sound as though they've
slooooowed down their talking because of all the little interruptions.  If I
turn the phone back on (it was never off, just not displaying anything) and
return to the Ticket home page, the stream continues playing normally.


Formerly, the screen would go to sleep and the stream would be unaffected.



Any suggestions?  I'm trying to remember why I decided not to use the app. 
Maybe that's the best way to listen to the stream?


Thanking you in advance.



HAPPY BIRTHDAY, MYRNA.






Posted by The Plainsman at 9:28 AM 69 comments:
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Labels: Myrna Loy, The Stream, Ticket App

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ABOUT ME

The Plainsman Tiny KTCK Coverage Area, Texas I am one of many gentleman
listeners to The Ticket. I do not know anyone at The Ticket. I have never called
into a program on The Ticket. I pop into a remote or station event from time to
time but have never met any Ticket employee. I am not a radio industry insider.
I am just a guy who spends a lot of time in a vehicle and whose employer doesn't
tell him to turn off the radio in his work area. View my complete profile

 * BaD Radio's Website
 * Avid Golfer Blog -- Rick Arnett
 * Reddit Ticket Page (Nice)
 * A P1 Wasteland
 * Bob Sturm's Blog
 * Dallas News Sports
 * Dallas Observer -- Unfair Park
 * Junior Miller's Blog
 * Norm's Clubhouse
 * The Ticket Home Page
 * The UnTicket




CONFESSORS




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