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Menu * About the NFPF About the NFPF * About the NFPF * Why the NFPF Was Created * Board and Staff * Annual Reports and Newsletters * 990s, Audits, and IRS Determination Letter * Preservation Basics Preservation Basics * Why Preserve Film? * Film Decay and How to Slow It * The Film Preservation Guide * NFPF Grants NFPF Grants * Overview * Basic Preservation Grants * Matching Grants * Avant-Garde Masters Grants * Awarded Grants * Preserved Films Preserved Films * Films Preserved Through the NFPF * International Partnerships * Avant-Garde Masters Grants * Screening Room * DVDs & Books DVDs & Books * Overview * Treasures from American Film Archives * More Treasures from American Film Archives * Treasures III: Social Issues in American Film * Treasures IV: American Avant-Garde Film * Treasures 5: The West * Treasures New Zealand * The Film Preservation Guide * The Field Guide to Sponsored Films * Support the NFPF Support the NFPF * Making a Contribution * Donate by Credit Card * Donate by Check * Workplace Giving * Shop at iGive WON IN A CUPBOARD (1914) The first surviving film directed by and starring Mabel Normand, featured on the Treasures New Zealand DVD set. It was preserved by the Library of Congress with NFPF support from source material provided by the New Zealand Film Archive. Edit Print Share Share: Google Plus Facebook Twitter Reddit LinkedIn Email NOW SHOWING MOONLIGHT NIGHTS (1925) Moonlight Nights (1925) Production Company: Sherwood MacDonald Productions. Distributor: Rayart Pictures. Director: Sherwood MacDonald. Photographer: John Thompson. Editor: Arthur Hilton. Cast: Joe Moore (Art Gordon), Gloria Joy (Mademoiselle Fifi), Max Asher, Clarence Williams, Barney Williams, Alfred Roveano, the Butterfly Girls. Transfer Note: Copied at 16 frames per second from a 35mm print preserved by the Library of Congress from source material provided by the New Zealand Film Archive. Running Time: 25 minutes (silent, no music). As Hollywood studios consolidated control of the American film industry in the late teens, independent companies found it harder to get their films onto the big screen, particularly in the most lucrative urban markets. But theaters off the beaten path were still a viable venue for the comedy shorts, serials, and low-end features available at competitive prices from smaller outfits. Such films were circulated domestically through independent... View film SCREENING ROOM EYE PROJECT ONLINE FIELD GUIDE TO SPONSORED FILMS TREASURES FROM AMERICAN FILM ARCHIVES QUICKLINKS * NFPF Shop * Annual Report * Basic Preservation Grants * EYE Project * Film Preservation Guide * Lost Hitchcock Film * New Zealand Project * Online Guide to Sponsored Films * Screening Room * Too Much Johnson * Treasures New Zealand DVD Donate Now NFPF NEWS September 19, 2024 THE NFPF TEAMS WITH ALAMO DRAFTHOUSE ON SILENT MOVIE DAY TO SCREEN CLASH OF THE WOLVES Master-of-disguise Rin-Tin-Tin dons a false beard to avoid detection in Clash of the Wolves (1925), screening at four Alamo Drafthouse Cinemas on Sept. 29th. To celebrate silent film history and raise funds for film preservation, the National Film Preservation Foundation and Silent Movie Day are joining forces to present a special screening of Clash of the Wolves (1925), a … Read more September 10, 2024 AVANT-GARDE MASTERS GRANTS PRESERVE THE WORK OF FOUR FILMMAKERS Ariel (1983) by Nathaniel Dorsky Early films by Nathaniel Dorsky, as well as works by Tatsu Aoki and Midwestern feminist filmmakers JoAnn Elam and Kathleen Laughlin will be preserved and made accessible through the 2024 Avant-Garde Masters Grants, awarded by The Film Foundation and the National Film Preservation Foundation with funding provided by the Hobson/Lucas Family … Read more CONNECT Join us on Facebook Follow us on Twitter Home Contact the NFPF Privacy Policy Terms of Use Designed by Command Create Developed by Bot & Rose