www.nytimes.com Open in urlscan Pro
151.101.65.164  Public Scan

URL: https://www.nytimes.com/2023/12/06/business/media/twitch-korea-shut-down.html
Submission: On December 06 via manual from US — Scanned from US

Form analysis 0 forms found in the DOM

Text Content

Skip to contentSkip to site index
Search & Section Navigation
Section Navigation
SEARCH
Media

Log in
Wednesday, December 6, 2023
Today’s Paper

Media|Twitch Will Shut Down Its Streaming Platform in South Korea

https://www.nytimes.com/2023/12/06/business/media/twitch-korea-shut-down.html
 * Share full article
 * 
 * 

Advertisement

SKIP ADVERTISEMENT



Supported by

SKIP ADVERTISEMENT





TWITCH WILL SHUT DOWN ITS STREAMING PLATFORM IN SOUTH KOREA

Twitch, once popular among South Korean gamers, will shut its business there in
February. Streamers in South Korea would no longer be able to make money through
Twitch.

 * Share full article
 * 
 * 


A cost-cutting downgrade in video resolution in South Korea caused an exodus of
users.Credit...Mateusz Slodkowski/SOPA Images/LightRocket via Getty Images


By John Yoon

Reporting from Seoul

Dec. 6, 2023Updated 6:28 a.m. ET

Twitch, the popular video streaming service, will shut down its services in
South Korea next year, the company said on Tuesday, after struggling for years
with the “prohibitively expensive” costs of operating in the country.

Twitch was one of the most popular platforms for gamers in South Korea, even as
it competed with domestic services like AfreecaTV and giants like YouTube,
analysts say. The service, owned by Amazon, draws about 35 million visitors a
day worldwide, according to the company.

“Twitch was once in the driver’s seat among South Korean pro gamers for a
while,” said Ha Jae-pil, a professor of e-sports at Kookje University in South
Korea. Some League of Legends, Overwatch and Apex Legends tournaments in the
country were streamed exclusively on Twitch, he said.

Then a downgrade of video quality to a resolution known as 720p, which the
company said reduced its operating costs, made text less legible and caused
users to jump over to YouTube, he said. “Twitch’s influence has been weakened
since,” he said.




Now, it plans to shut its South Korean business on Feb. 27, 2024. It was not
immediately clear whether viewers in South Korea would keep their access to the
platform. But the company said that streamers in the country would no longer be
able to monetize through Twitch, and that viewers would no longer be able to
make purchases on the platform.


MORE ON SOUTH KOREA

 * Basketball: In the United States, bank shots are derided as amateurish. But a
   devoted group of players in the Korean Basketball League have embraced the
   unorthodox technique.
 * A City of Books: With some 900 book-related businesses, Paju, a satellite
   city northwest of Seoul, is an intentional and euphoric celebration of books
   and the bookmaking process.
 * A War Against ‘Fake News’: President Yoon Suk Yeol is turning to lawsuits,
   state regulators and criminal investigations to clamp down on speech that he
   calls disinformation. Critics say that he is silencing journalists.
 * Itaewon Crowd Crush: In 2022, nearly 160 people died during a Halloween
   celebration in a popular nightlife district in Seoul. For those who survived
   or lost loved ones, the past year has been a time of deep frustration and
   trauma.

“While we have lowered costs from these efforts, our network fees in Korea are
still 10 times more expensive than in most other countries,” the company said.
“Twitch has been operating in Korea at a significant loss, and unfortunately
there is no pathway forward for our business to run more sustainably in that
country.”



South Korea has charged higher network usage fees to foreign content providers,
prompting controversy and legal disputes. Netflix recently sued a South Korean
internet service provider, arguing that it had no obligation to pay network
usage fees. In 2021, a court in Seoul upheld the provider’s right to receive
such fees.

“I don’t understand the higher fees on foreign content providers,” said Han Nam
Hee, a professor of sports at Korea University, adding that the country should
be giving more opportunities to content providers, not less. “This is an
unnecessary disruption to streaming and e-sports in South Korea at a time when
it needs to keep growing globally.”

Daniel Clancy, Twitch’s chief executive, said on social media that “this was a
very difficult decision that we delayed for some time,” adding that he was
“aware that this will have a real impact” on Korean streamers.




Signs of struggle at Twitch have emerged gradually over the past year, as it has
cut back its services in South Korea. After lowering the video resolution,
Twitch in February began blocking South Korean streamers from posting
video-on-demand footage, an archive of previously streamed content. In March,
the company laid off more than 400 people.

Other than YouTube, Twitch has been the most widely used streaming service among
South Korean gamers this year, according to Kiju Kim, an analyst at Hankook
Research, a polling company based in Seoul. Twitch attracts about 300,000 South
Korean viewers daily, about half of whom are men in their 20s.

Twitch said that it would help South Korean streamers on the platform migrate to
alternative services by lifting the ban on broadcasting streams simultaneously
on another platform, and by encouraging them to share links to their channels on
other services.

“Twitch is the most established gaming and streaming community, and to be losing
it is unfathomable,” said Alexandria Brooks, an American graduate student in
South Korea who has attracted more than 1,100 followers on Twitch while playing
Pokémon, Lies of P and Baldur’s Gate three times a week. “It hurts.”

Ms. Brooks, 28, said that she was considering moving to YouTube, but worried
about retaining her American viewers, for whom Twitch remains the dominant
streaming service. She was expected to lose several hundred dollars in monthly
revenue.

“No one wants to be uprooted from what they’re used to,” she said.




John Yoon reports from the Seoul newsroom of The Times. He previously reported
for the coronavirus tracking team, which won the Pulitzer Prize for Public
Service in 2021. He joined The Times in 2020. More about John Yoon

 * Share full article
 * 
 * 





Advertisement

SKIP ADVERTISEMENT




SITE INDEX




SITE INFORMATION NAVIGATION

 * © 2023 The New York Times Company

 * NYTCo
 * Contact Us
 * Accessibility
 * Work with us
 * Advertise
 * T Brand Studio
 * Your Ad Choices
 * Privacy Policy
 * Terms of Service
 * Terms of Sale
 * Site Map
 * Canada
 * International
 * Help
 * Subscriptions