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Text Content

 * Another Screen
 * Essays
 * Reviews
 * Portrait of a Filmmaker
 * About
 * Buy
 * Donate
 * Archive

 * Another Screen
 * Essays
 * Reviews
 * Portrait of a Filmmaker
 * About
 * Buy
 * Donate
 * Archive

 * By Laura Staab ReviewsJune 14, 2022
   
   
   LAURA STAAB ON LUCILE HADŽIHALILOVIĆ’S ‘EARWIG’


ESSAYS

EssaysApril 13, 2022


THE LEGACIES OF SARAH MALDOROR (1929–2020): A ROUNDTABLE DISCUSSION

By Annouchka de Andrade, Awa Konaté, Beti Ellerson, Daniella Shreir, Henda
Ducados, Janaína Oliveira, Nuotama Bodomo, Yasmina Price
EssaysMarch 28, 2022


THE END OF JOACHIM TRIER’S “OSLO TRILOGY”; THE END OF ART AND COMMUNITY

By Laura Staab
EssaysMarch 21, 2022


“AGNES & PERFECTION” BY LIZZIE BORDEN

By Lizzie Borden
EssaysMarch 12, 2022


KIRA MURATOVA’S QUEER BLOC: SITUATIONS, GENERATIONS, NATIONS

By Lina Žigelytė
EssaysJanuary 31, 2022


FALL INTO THE CENTRE OF THE EARTH AND DEAL WITH YOURSELF: ON SADIE BENNING’S
VIDEO DIARIES (1989-1990)

By Octavia Stocker
EssaysNovember 5, 2021


IN SEARCH OF LOST TIME: THERESA HAK KYUNG CHA’S CINEMATIC IMAGINATION

By Katie Kirkland


REVIEWS

ReviewsJune 14, 2022


LAURA STAAB ON LUCILE HADŽIHALILOVIĆ’S ‘EARWIG’

By Laura Staab
ReviewsApril 19, 2022


ON AUDREY DIWAN’S ‘HAPPENING’ (‘L’ÉVÉNEMENT’)

By Alice Blackhurst
ReviewsJanuary 14, 2022


REBECCA LIU ON MAGGIE GYLLENHAAL’S ‘THE LOST DAUGHTER’

By Rebecca Liu
ReviewsDecember 26, 2021


GEORGIE CARR ON PABLO LARRAÍN’S ‘SPENCER’

By Georgie Carr
ReviewsNovember 29, 2021


REBECCA LIU ON JANE CAMPION’S ‘THE POWER OF THE DOG’

By Rebecca Liu
ReviewsOctober 31, 2021


PASS THIS ON: PRANO BAILEY-BOND’S ‘CENSOR’ (2021)

By Katherine Connell


NEWS

NewsJune 24, 2020


ANOTHER GAZE X FITZCARRALDO: MOYRA DAVEY’S ‘INDEX CARDS’ LAUNCH + SCREENING

By Another Gaze
NewsMay 27, 2020


CALL FOR PITCHES | ANOTHER GAZE 05: THE OLD WORLD MAY BE DEAD

By Another Gaze
NewsMay 5, 2020


ANOTHER GAZE PRESENTS: THE LEGACIES OF SARAH MALDOROR (1929–2020) —12 MAY 2020

By Another Gaze


PORTRAIT OF

Portrait of a FilmmakerOctober 22, 2019


PORTRAIT OF IRIS ELEZI

By Another Gaze
Portrait of a FilmmakerAugust 5, 2019


PORTRAIT OF ISABELLA EKLÖF

By Another Gaze
Portrait of a FilmmakerAugust 3, 2019


THE WOMAN EVERYONE KNOWS: IN CONVERSATION WITH AMINATOU ECHARD

By Daniel Kasman
Essays, Portrait of a FilmmakerJune 26, 2019


THE VISIBLE WOMAN: IN CONVERSATION WITH PENNY SLINGER

By Sophia Satchell Baeza
Portrait of a FilmmakerMarch 17, 2019


“DECONSTRUCT, RECONSTRUCT, CHALLENGE, CELEBRATE”: IN CONVERSATION WITH BARBARA
HAMMER

By Another Gaze
Portrait of a FilmmakerFebruary 9, 2019


PORTRAIT OF TEONA STRUGAR MITEVSKA

By Another Gaze
Portrait of a FilmmakerJanuary 23, 2019


PORTRAIT OF PENNY LANE

By Another Gaze
Portrait of a FilmmakerOctober 12, 2018


IN CONVERSATION WITH CAROLEE SCHNEEMANN

By Another Gaze
Portrait of a FilmmakerAugust 7, 2018


PORTRAIT OF MANIA AKBARI

By Another Gaze


FESTIVALS

Festivals, ReviewsSeptember 21, 2020


BROAD HORIZONS AND SHALLOW VISTAS IN CHLOÉ ZHAO’S ‘NOMADLAND’ —TIFF 2020

By Esmé Hogeveen
Festivals, ReviewsOctober 20, 2019


THE 57TH NEW YORK FILM FESTIVAL: LOOKING TOWARDS CONVERGENCES IN A CLUSTER OF
FILMS

By Bessie Rubinstein
Festivals, ReviewsOctober 16, 2019


MATI DIOP’S ‘ATLANTIQUE’ (‘ATLANTICS’) TURNS TO THE WOMEN LEFT BEHIND

By Another Gaze

Another Gaze is a feminist film journal, founded in January 2016 to provide
nuanced criticism about women and queers as filmmakers, protagonists and
spectators.

Our fourth issue is out now and available to buy here.

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 * View UCs-azQEURwL-z34md7zrCDA’s profile on YouTube


© Another Gaze 2020
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