www.thehistoryofart.org Open in urlscan Pro
2606:4700:3032::6815:5203  Public Scan

Submitted URL: https://kazimirmalevich.thekissprint.com/
Effective URL: https://www.thehistoryofart.org/kazimir-malevich/
Submission: On June 20 via api from US — Scanned from DE

Form analysis 0 forms found in the DOM

Text Content

 * Home
 * About
 * Artists
    * View All Artists
    * Renaissance
      * Leonardo da Vinci
      * Raphael
      * Sandro Botticelli
      * Titian
      * Albrecht Durer
      * Hieronymus Bosch
      * Jan van Eyck
   
    * Baroque
      * Rembrandt
      * Vermeer
      * Caravaggio
      * Artemisia Gentileschi
      * Peter Paul Rubens
      * Diego Velazquez
      * Pieter Bruegel the Elder
    * Romanticism
      * Francisco Goya
      * Eugène Delacroix
      * Caspar David Friedrich
      * JMW Turner
   
    * Impressionist
      * Pierre-Auguste Renoir
      * Édouard Manet
      * Edgar Degas
      * Mary Cassatt
      * Berthe Morisot
    * Post-Impressionist
      * Vincent van Gogh
      * Paul Cezanne
    * Expressionist
      * Edvard Munch
   
    * Art Nouveau
      * Gustav Klimt
      * Alphonse Mucha
      * Henri de Toulouse-Lautrec
      * Aubrey Beardsley
    * Modern Art
      * Wassily Kandinsky
      * Henri Matisse
      * Joan Miro
      * Edward Hopper
      * Paul Klee
      * Jackson Pollock

 * Shop
 * Contact




KAZIMIR MALEVICH

 1. Home
 2. Artists
 3. Kazimir Malevich

Kazimir Malevich
 * Home
 * Biography
 * Paintings
   * Black Square
   * Suprematist Composition
   * White on White
   * Black Circle
   * Dynamic Suprematism
   * Red Square
   * Black Cross
   * Red Cavalry Riding
   * Woodcutter
   * Four Squares
 * Drawings
 * Prints
 * Quotes



Buy Art Prints Now
from Amazon

* As an Amazon Associate, and partner with Google Adsense and Ezoic, I earn from
qualifying purchases.


by Tom Gurney
Tom Gurney BSc (Hons) is an art history expert with over 20 years experience
Published on June 19, 2020 / Updated on October 14, 2023
Email: tomgurney1@gmail.com / Phone: +44 7429 011000


KAZIMIR MALEVICH IS A RUSSIAN PAINTER FROM THE 20TH CENTURY WHO WAS AT THE
FOREFRONT OF ABSTRACT ART AS IT APPEARED FOR THE FIRST TIME ACROSS EUROPE.

The Soviet Union produced many key contemporary artists during this period
despite the culture of the ruling party being relatively traditional in
thinking. Some of these Russian modern artists were forced to leave the country
and ply their trades in Western Europe or the United States in order to enjoy
better opportunities for their careers. Kazimir Malevich was part of the
Suprematism movement which formed a collection of artists involved with in the
overall umbrella of abstract art.

Black Cross and White on White were two of the better known abstract works from
the artist and also amongst his most abstract of all, working down to
exceptionally minimal shapes and also colours. There are other paintings,
included with in this website, which are less minimal and these may suit
different tastes, such as Red House, Three Figures and Englishman in Moscow.
Kazimir Malevich originals have been sold in recent years for some extraordinary
prices, up to $60m dollars, driven partly by the excitement for abstract art
generally but also with the amount of money floating around some parts of
Russian society who are looking to retain the key cultural elements of their
history.

Strictly, of course, Malevich would be classed as Ukranian by today's borders,
and that explains partly how the Soviet Union contributed so many significant
artists from the 20th century, even though many had to leave the country to make
the most of their skills. Kazimir Malevich created Black Cross and this was a
shockingly abstract piece which was always likely to cause controversy when it
was first completed. Abstract works often require an understanding from the
artist as to what it represents in order to appreciate the piece where as more
traditional art is often much more immediate.

There are similarities between Malevich paintings and those of other Geometric
artists such as Piet Mondrian who came from the Netherlands and also chose an
abstract path. He did not quite reach the same levels of abstraction, though,
and relied on a greater use of colour than say Malevich had done in his Black
Cross work. Kandinsky was another abstract painter who used geometric shapes to
form his compositions but went again for far much more detail as well as a
greater variety in the shapes and colours used.

Kandinsky himself also came from Russia and so the path he took through his
career was very similar to that of Malevich. Whilst this artist came during the
early stages of the rise of abstract and modern art, there were many more
variations which followed across the 20th century and many more continue to
appear all the time. Cubism was one of the significant movements to appear and
was contributed to by Juan Gris and Pablo Picasso.


KAZIMIR MALEVICH PAINTINGS

Kazimir Malevich paintings were later accepted by controlling powers in Russia
as Malevich had correctly predicted but it did not happen until many years later
after changes in the leadership of the country had occured. It is only in recent
years that the artist has been seen in Russian exhibitions despite his
popularity across the world, this seems to suggest that Russia was a little
behind the times at the top, but still managed to create innovative artists who
found a way to draw attention to their new ideas.

There has been all manner of other movements too, including Installation art and
Digital art and even with in them there are plenty of new off-shoots which also
provide interest and potential inspiration for future creative artists. In
truth, no other artistic umbrella as modern art has contained a wider variety of
styles and Malevich helped contribute to the whole thing with his early 20th
century abstract paintings.

At a later date the artist was to become involved in aerial art, which involved
thinking about depictions from a top-down view. Mondrian demonstrated this at a
later date with his own abstract paintings, such as with Broadway Boogie Woogie
which depicted New York City from a bird's-eye view and converted each
significant object into a simple geometric shape, such as with taxis being
yellow squares.

It is fair to say that Russian Kazimir was really innovative and also very happy
to try new things with in his career at all times. Some painters have become
contented to stick with one style which has proven popular but he was someone
who really wanted to take his own skills and ideas just as far as they could go.
In the long run, those who take their skills into new avenues will normally
achieve a greater respect from academics.


SUPREMATISM

Suprematism is a specific art movement which is believed to have been set up by
Malevich in the first place, partly by his art and also partly by his artistic
theories which are still available in print. Black Circle and Black Square, plus
White on White as mentioned elsewhere in this website, are the best examples of
the shear simplicity involved with this movement which flies in the face of
everything that happened in the art world up to the 20th century.

Suprematism itself refers to the supremacy of the artist's feelings straight
into the art work, without any desire whatsoever to represent them as real life
things which we all can identify with, such as landscapes, portraits and so on.
This unusual thinking was controversial then, and it remains controversial
today, although the spread of art fans following abstract and traditional work
has changed considerably and many art fans can be considered to be fans of both.

Malevich's approach became unpopular with the ruling powers in Russia into the
1920s and it was necessary for him to take a lower profile for several years
during that time, in order to avoid the institutions which he represented
becoming targeted yet further. He was able to stay relatively out of trouble for
the remainder of his career although he was less vocal in his criticism of
Government-backed artistic styles which he himself detested. There is a long
history of innovative artists going up against institutions who preferred much
more traditional art.

Some of these artists have found it necessary to leave the country in order to
continue their work without interference, sometimes even fearing they will be
attacked or imprisoned due to the content or style of their work. Others have
actually embraced the situation and used it to their professional advantage,
such as with Delacroix who was involved with key political elements during his
time and this offered him greater opportunities once he had become an "approved"
artist.


BLACK CROSS

Black Cross is included above and is one of the most abstract works, with very
clear geometric lines that are undeniably an example of the Suprematist
movement, of which this artist was such a major part. Several artists in recent
years have been very strongly opposed to tradtional art which, as they saw it,
was stale and not to their liking. Quite simply each one went about creating new
forms of art, as seen with paintings like the Black Cross, which they believed
could eventually become as popular as more traditional styles like the
Renaissance.

White on White links closely to Black Cross in that it marked the height of the
artist's level of abstraction. It is difficult to see any artist creating
something more abstract than White on White which features exactly that, and
would have proved hard to promote at the time that the artist first created it.
It is also paintings like this which even art fans in the present day often have
a hard time in understanding as to where the skill and innovation sits, even
though this approach has been around since the time of Malevich.

The artist produced a book entitled From Cubism to Suprematism which outlined
his views and ambitions for much of modern art and this links closely to the art
theories to have come from Kandinsky who himself found in great depth about the
direction of art, rather than simply concentrating on his own particular work.
Many mainstream art fans see the simplicity of the technical side of abstract
art and don't see as far as what lies behind them, which can often involve a
surprising amount of thought.


MALEVICH

Malevich took on strong competition from other Russian artists as well as
political forces in his country who themselves disapproved of all such work and
yet he still managed to leave a great legacy which many still continue to enjoy
today. You find examples of the art discussed here in many people's homes, be it
from Kandinsky, Mondrian or Malevich himself. The simple fact is, modern art is
now here to stay, and is developing all the time too.

There are some incredible art collections now in Russia or owned by Russians for
several reasons. There were several forward-thinking art collectors from this
country who bought up much of the best modern art throughout the 20th century
and much of this was passed on to national galleries. There were also many key
artists from the country, with some of their work inevitably still being in the
country too. In recent years there have also been some exceptionally rich
businessmen to have appeared from Russia and some have used spare cash to buy
some of the most significant and expensive European art going.

Russian artists have provided us with so much during the 20th century and
offered forward-thinking ideas which suited the modern art which came out during
that time. Malevich was just one of those and many went onto America or Western
Europe where they found a greater openness to new ideas and innovation with in
art. Each artistic era has been dominated by specific countries and Russia
certainly came to the fore in these abstract styles, as France had done with
impressionism and Italy during each stage of the Renaissance.

All of the best paintings from the artist are listed here and each links through
to the Art.com prints gallery where all of them are available to add to your own
homes. We use them regularly and also receive a small commission from any
purchase that you might make, which helps towards the up-keep of this website.
Their gallery covers the full career of Malevich and his prints are very
frequent chosen for modern art fans, with his minimalist, abstract style
perfectly suited to most modern homes where there is less clutter and a need for
some simple lines and colour from any art.

The gallery provided here is a great way to quickly understand the qualities of
this artist and the styles which he used within his work. There are many more to
see from the links provided, with all of his best work covered by Art.com who
provide an excellent selection of prints ready to buy online, with thousands of
other artists included as well.


KAZIMIR MALEVICH PAINTINGS - A LIST OF THE MOST FAMOUS

Kazimir Malevich offers us an interesting look into abstract art but this
homepage only includes a brief set of his best work, and for a more
comprehensive list of his career output, please see the list below.

 * Morning in the Country after Snowstorm
 * The Woodcutter
 * Black Square
 * Reaper on Red Background
 * The Aviator
 * An Englishman in Moscow
 * Soldier of the First Division
 * Black Square and Red Square
 * Red Square: Painterly Realism of a Peasant Woman in Two Dimensions
 * Suprematist Composition
 * Suprematism
 * Suprematist Painting: Aeroplane Flying
 * Suprematism: Self-Portrait in Two Dimensions
 * Suprematist Painting (Ludwigshafen)
 * Suprematist Painting
 * Supremus No. 56
 * Suprematist Painting
 * Complex Presentiment: Half-Figure in a Yellow Shirt
 * Running Man
 * Flower Girl
 * Bathers
 * Winter
 * Head of a Peasant Girl
 * Running man
 * Boy
 * Mower
 * Summer Landscape
 * Red-cavalry


ARTICLE AUTHOR



Tom Gurney in an art history expert. He received a BSc (Hons) degree from
Salford University, UK, and has also studied famous artists and art movements
for over 20 years. Tom has also published a number of books related to art
history and continues to contribute to a number of different art websites. You
can read more on Tom Gurney here.

FAMOUS PAINTINGS

 * Lamentation
 * Fallen Angel
 * Wanderer above the Sea of Fog
 * Ivan the Terrible and his Son
 * Saturn Devouring His Son
 * The Desperate Man
 * Praying Hands
 * Scream
 * Hell
 * The Boulevard Montmartre at Night

Copyright © 2023 TheHistoryOfArt.org All Rights Reserved
Address: Flat 44, Sir Francis Drake Court, 43-45 Banning Street, London, SE10
0FF, UK
Email: tomgurney1@gmail.com / Phone: +44 7429 011000
About / Contact / Privacy Policy / Disclaimer / Cookie Policy / Refund Policy




✕


DATENSCHUTZ & TRANSPARENZ

thehistoryofart.org und unsere Partner bitten um Ihre Zustimmung zur Nutzung
Ihrer persönlichen Daten sowie zum Speichern und/oder Zugreifen auf
Informationen auf Ihrem Gerät. Dazu gehört die Nutzung Ihrer persönlichen Daten
für personalisierte Werbung und Inhalte, Werbe- und Inhaltsmessung,
Publikumsforschung und die Entwicklung von Dienstleistungen. Ein Beispiel für
die Verarbeitung von Daten könnte ein eindeutiger Identifikator sein, der in
einem Cookie gespeichert wird. Ihre persönlichen Daten können von 870 Partnern
gespeichert, abgerufen und geteilt werden oder speziell von dieser Seite genutzt
werden. Sie können Ihre Einstellungen jederzeit ändern oder Ihre Zustimmung
zurückziehen; der Link dazu befindet sich in unserer Datenschutzrichtlinie am
Ende dieser Seite. Einige Anbieter können Ihre persönlichen Daten auf Grundlage
eines berechtigten Interesses verarbeiten, gegen das Sie durch Verwalten Ihrer
Einstellungen unten Einspruch erheben können.



Einstellungen verwalten Weiter mit den empfohlenen Cookies

Anbieter-Liste | Datenschutzerklärung