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Magazine|How David Zaslav Blew Up Hollywood

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David Zaslav in October. Credit...Mark Peterson/Redux, for The New York Times
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HOW DAVID ZASLAV BLEW UP HOLLYWOOD

A merger put him in the driver’s seat at Warner Brothers, one of the industry’s
biggest studios. It has been a wild ride.

David Zaslav in October. Credit...Mark Peterson/Redux, for The New York Times

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By Jonathan Mahler, James B. Stewart and Benjamin Mullin

 * Published Nov. 15, 2023Updated Nov. 16, 2023, 2:00 p.m. ET

It was April 2022, and David Zaslav had just closed the deal of a lifetime. From
the helm of his relatively small and unglamorous cable company, Discovery, he
had taken control of a sprawling entertainment conglomerate that included
perhaps the most storied movie studio on the planet, Warner Brothers. The
longtime New Yorker had always loved movies, and against the advice of several
media peers, he had moved to Hollywood and taken over Jack Warner’s historic
office, hauling the old mogul’s desk out of storage and topping it off with an
old-time handset telephone. So far things were going great. He had met all the
stars and players, was widely feted as the next in line to save the eternally
struggling industry and was well into the process of renovating a landmark house
in Beverly Hills. “You’re the dog that caught the bus,” the billionaire
octogenarian cable pioneer John Malone, one of Discovery’s largest shareholders,
told him. All he needed to do now was pay back the $56 billion in debt that he
piled onto the new company to make the deal happen.




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Money is never just lying around Hollywood, and the town was still reeling from
the pandemic. But that was OK. Zaslav had set a “synergy target” — cost cuts,
essentially — of $3 billion in the next two years, and now, with the clock
ticking, he got to work. To help, he had brought along his chief financial
officer from Discovery, an amateur pilot and former McKinsey consultant named
Gunnar Wiedenfels. As spring turned to summer, they laid off hundreds of
workers, shuttered or reorganized divisions and suspended or canceled hundreds
of millions of dollars’ worth of programming. Anything we don’t think is
awesome, Zaslav told executives, stop production right now. Turn the cameras
off.

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Jonathan Mahler is a staff writer for the Times magazine and the author of
“Ladies and Gentlemen, the Bronx Is Burning” and “The Challenge.” More about
Jonathan Mahler

James B. Stewart is a columnist at The Times and the author of nine books, most
recently “Deep State: Trump, the FBI and the Rule of Law.” He won the 1988
Pulitzer Prize for explanatory journalism, and is a professor of business
journalism at Columbia University. More about James B. Stewart

Benjamin Mullin reports on the major companies behind news and entertainment.
Contact Ben securely on Signal at +1 530-961-3223 or email at
benjamin.mullin@nytimes.com. More about Benjamin Mullin

A version of this article appears in print on Nov. 19, 2023, Page 24 of the
Sunday Magazine with the headline: How David Zaslav Blew Up Hollywood. Order
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