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WELCOME




MIX & MASTER | MUSIC PRODUCTION | REPAIR & CLEAN




MUSIC IS THE FIFTH ELEMENT






MUSIC PRODUCTION




Artists want to be heard, and they want the best sound quality. Together we
worked on the recordings until we were completely satisfied. Above all, the
satisfaction of the artist is my top priority.



Mixing LP from Artists Leatitia


RECORDING, REPAIR & CLEAN



ARPEGGIO ADAGIO BENEFIZKONZERT AN PFINGSTEN – ELIAS NEUWIRTH, KARL VENTULETT

Audio-Player
https://flow23.info/wp-content/uploads/2022/12/04Allegro-ma-non-presto-Benefizkonzert-an-Pfingsten-RadioVersion-Teil-1-Elias-Neuwirth-Karl-Ventulett.mp3

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Pfeiltasten Hoch/Runter benutzen, um die Lautstärke zu regeln.


In my opinion, it is always good to first clean all traces and check for errors.
e.g. vocal tracks are first checked for cliping and other errors. Breath sounds
as well as other disturbing noises are greatly reduced or even removed without
changing the actual sound of the voice.

TRISTE AUS DER SONATE F-MOLL BENEFIZKONZERT AN PFINGSTEN – ELIAS NEUWIRTH,
CORNELIA NEUWIRTH

Audio-Player
https://flow23.info/wp-content/uploads/2022/12/10Triste-aus-der-Sonate-f-moll-Benefizkonzert-an-Pfingsten-RadioVersion-Teil-1-Elias-Neuwirth-Cornelia-Neuwirth.mp3

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Pfeiltasten Hoch/Runter benutzen, um die Lautstärke zu regeln.


ALLEMANDE AUS DER FRANZOESISCHEN SUITE BENEFIZKONZERT AN PFINGSTEN
MARLENE-NEUWIRTH LIVE

Audio-Player
https://flow23.info/wp-content/uploads/2022/12/01Allemande.aus-der-franzoesischen-Suite-BWV-813-Benefizkonzert-an-Pfingsten-RadioVersion-Teil-1-Marlene-Neuwirth.mp3

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Pfeiltasten Hoch/Runter benutzen, um die Lautstärke zu regeln.



MASTERING



Mastering is not about reinventing the track. Rather i think that the artist’s
idea has to be understood first. For this reason, very good communication with
the artist is essential. After all, it is the artist who has to like the song at
the end.

MODER6, MOUVEMENT DE MENUET AUS SONATINE POUR PIANO M BENEFIZKONZERT AN
PFINGSTEN – MARLENE NEUWIRTH

Audio-Player
https://flow23.info/wp-content/uploads/2022/12/11Moder6-Mouvement-de-Menuet-aus-Sonatine-pour-piano-M-Benefizkonzert-an-Pfingsten-RadioVersion-Teil-2-Marlene-Neuwirth.mp3

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Pfeiltasten Hoch/Runter benutzen, um die Lautstärke zu regeln.


While you are about to make the artist happy, it is of course just like me to
let you incorporate the technical points of the production in parallel. To work
out the groove and the flow nicely and to help the song punch in the right
places. In the end, everyone should nod their heads in rhythm.



Each master needs different steps to make it successful. Everyone is interpreted
and each song by an artist is different from one another. Certain processes
repeat themselves and are clearly meaningful in most situations. But music is
simply individual.

WIE FREUDIG IST MEIN HERZ AUS DER KANTATE BWV 199 BENEFIZKONZERT AN PFINGSTEN –
ELIAS NEUWIRTH, CORNELIA NEUWIRTH

Audio-Player
https://flow23.info/wp-content/uploads/2022/12/13Wie-freudig-ist-mein-Herz-aus-der-Kantate-BWV-199-Benefizkonzert-an-Pfingsten-RadioVersion-Teil-1-Elias-Neuwirth-Cornelia-Neuwirth.mp3

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Pfeiltasten Hoch/Runter benutzen, um die Lautstärke zu regeln.


Example: after listening to the song several times, the track is cleaned first.
I may use the RX7 from izotop here to really silence breaks, clipping and other
errors.

Then i process the signal with an IQ to reduce possible interference frequencies
a little. I prefer to do this dynamically. Here i often see how many attack too
hard and destroy their work. You can  destroyed a track not only be with
compressors. 




As soon as i have finished these steps i start to even out the frequency picture
a bit. Depending on the track, i now process the signal with various multiband
compressors, automation, saturation, other EQs and limiters. It is also very
important to always plan sufficient breaks. My ear is the most important tool
and it should always be rested and work properly! In my view, pauses are even
more important to hear as a reference.


ME



Self-taught

Whether learning to play instruments, producing or the technical background of
music. I never really had any training but always just enjoyed music! That’s
exactly what makes it easy for me to keep improving. My suggestion to you: find
out consciously and honestly what you cannot do.

Perfectionist

I often have to force myself to finish projects. When I realize that I’ve only
moved an instrument back and forth for half a dB in the last ten minutes, it’s
often time to end the thing or let it rest for a while. I always find something
I want to improve. Without a cut like that, I’d probably never finish.

Emotionally

It can also often be very difficult to be able to put yourself in a good
position with other people. You not only feel happiness with them but also
suffering. It is the same with music.

To put yourself in it and empathize is a great help to understand music and to
bring it to life.


ACOUSTIC INSTRUMENTS SOUND SO ALIVE AND REAL



Acoustic instruments offer a unique and direct sound experience, with a warm and
alive sound that comes from their natural sound properties. Unlike electronic
instruments, where sound is played through speakers or headphones, the strings
and bodies of acoustic instruments vibrate directly in the air.

Each acoustic instrument has its own distinctive sound that is determined by its
materials and construction. The way a musician plays the instrument also affects
its sound, leading to the fact that no acoustic instrument is the same and each
sound is unique.

Another advantage of acoustic instruments is that they are independent of
technology. They do not require power or technical equipment and can be played
anytime, anywhere. Whether on a stage or at home, acoustic instruments offer an
unmatched sound experience.

Experience the warm and alive sound of acoustic instruments. An investment in
one of these instruments is definitely worth it. Discover the uniqueness and
authenticity of these sound sources.




ACOUSTIC ROOM OPTIMIZATION



The acoustics of a room play a crucial role in determining the sound quality of
recordings made in a studio. Unwanted echoes, standing waves, and other sound
anomalies can cause muddled audio that detracts from the overall clarity and
definition of the recordings. This is why acoustic room optimization is
essential for a recording studio.

Through proper acoustic room optimization, unwanted sound reflections can be
reduced or eliminated, creating a more accurate and consistent sound
environment. This leads to clearer recordings with improved definition, detail,
and separation between different elements of the audio. In addition, optimized
acoustics also make it easier for engineers to monitor and mix the sound, as
they are able to hear a more accurate representation of what they are recording.

Acoustic room optimization can involve various techniques, including the use of
acoustic panels, diffusers, and bass traps. These materials are specifically
designed to absorb, reflect, or diffuse sound in a controlled manner, improving
the overall acoustic environment of the room.

In conclusion, if you want to achieve the highest quality recordings in your
studio, it’s crucial to invest in acoustic room optimization. Not only will this
improve the sound quality of your recordings, but it will also make the
recording process smoother and more efficient, leading to a better overall
experience for everyone involved.



SIDE PROJECT´S



I don’t just want to produce myself, it is often the things that go along with
it that give me as much pleasure.


GRAPHIC DESIGN

I like to take photos and some of my photos are post-processed and used as
covers. I’m definitely not the best photographer, but I have at least as much
fun doing it as I do editing my music.


LIVE

For years I was on stage with my bands and we made sure that many people had a
great time and wonderful memories. Today I’m very often at festivals listening
to the young ones. To be behind the mixing desk to bring the sound to the front
would be a little dream. So, if you are a live mixer, why not invite me? I would
be happy to learn from them and have something to show. Let’s discuss about
sound and music.


MUSIC

From time to time it happens that I also work with other artists. Whether it’s
just cleaning up vocal tracks or producing a complete track including mix &
master and the release, everything is possible, you just have to ask. The only
thing that matters is that everyone enjoys the work.

COME OVER AGAIN



The homepage is over here, but it is far from finished. It’s definitely worth
stopping by again and again.
A lot is still being planned and a lot of additional information will be added
step by step. So have a look.

Thank you to visit me!

CONTACT

FOR ANY INQUIRIES PLEASE MAIL ME

CONTACT@FLOW23.INFO

Twitter Youtube Spotify Soundcloud Twitch Apple Amazon Instagram


IMPRESSUM

Florian Bilecki

Langestr. 7

63674 Altenstadt 

Hessen

Germany

contact@flow23.info

USt-IdNr. DE337930708