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BOOK DETAILS


THE BOOK OF GOOSE


A NOVEL

Author: Yiyun Li

Honors


HONORS

 * PEN/Faulkner Award Winner
 * PEN/Faulkner Award - Nominee
 * BookPage Best Books of the Year
 * Buzzfeed Best Books of the Year
 * Kirkus Reviews Best Books of the Year
 * Los Angeles Times Holiday Books Guide
 * New Yorker Best Books of the Year
 * Powell's Best Books of the Year
 * San Francisco Chronicle Best Book of the Year
 * Slate Best Books of the Year
 * Time Magazine Best Books of the Year
 * Slate Book Review Best Books of the Year



Read Excerpt


THE BOOK OF GOOSE

Author: Yiyun Li

YOU CANNOT CUT AN APPLE with an apple. You cannot cut an orange with an orange.
You can, if you have a knife, cut an apple or an orange. Or slice open the
underbelly of a fish. Or, if your hands are steady enough and the blade is sharp
enough, sever an umbilical cord.

You can slash a book. There are different ways to measure depth, but not many
readers measure a book’s depth with a knife, making a cut from the first page
all the way down to the last. Why not, I wonder.

You can hand the knife to another person, betting with yourself how deep a wound
he or she is willing to inflict. You can be the inflicter of the wound.

One half orange plus another half orange do not make a full orange again. And
that is where my story begins. An orange that did not think itself good enough
for a knife, and an orange that never dreamed of turning itself into a knife.
Cut and be cut, neither interested me back then.

MY NAMES IS AGNÈS, but that is not important. You can go into an orchard with a
list of names and write them on the oranges, Françoise and Pierre and Diane and
Louis, but what difference does it make? What matters to an orange is its
orange-ness. The same with me. My name could have been Clémentine, or Odette, or
Henrietta, but so? An orange is just an orange, as a doll is a doll. Don’t think
that once you name a doll, it is different from other dolls. You can bathe it
and clothe it and feed it empty air and put it to bed with the lullabies you
imagine a mother should be singing to a baby. All the same, the doll, like all
dolls, cannot even be called dead, as it was never alive.

The name you should pay attention to in this story is Fabienne. Fabienne is not
an orange or a knife or a singer of lullabies, but she can make herself into any
one of those things. Well, she once could. She is dead now. The news of her
death arrived in a letter from my mother, the last of my family still living in
Saint Rémy, though my mother was not writing particularly to report the death,
but the birth of her own first great-grandchild. Had I remained near her, she
would have questioned why I have not given birth to a baby to be added to her
collection of grandchildren. This is one good thing about living in America. I
am too far away to be her concern. But long before my marriage I stopped being
her concern—my fame took care of that.

America and fame: they are equally useful if you want freedom from your mother.

In the postscript of the letter, my mother wrote that Fabienne died the previous
month—“de la même manière que sa sœur Joline”—in the same manner as her sister.
Joline had died in 1946 in childbirth, when she was seventeen. Fabienne died in
1966, at twenty-seven. You would think twenty years would make childbirth less a
killer of women, you would think the same calamity should never strike a family
twice, but if you think that way you are likely to be called an idiot by
someone, as Fabienne used to call me.

My first reaction, after I read the postscript: I wanted to get pregnant right
away. I would carry a baby to term and I would give birth to a child without
dying myself—I knew this with the certainty that I knew my name. This would be
proof that I could do something Fabienne could not—be a bland person, who is
neither favored nor disfavored by life. A person without a fate.

(This desire, I imagine, can be truly understood only by people with a fate, so
it is a desire akin to wishful thinking.)

But you need two people to get pregnant; and then two people do not necessarily
guarantee success. Getting pregnant, in my case, would involve looking for a man
with whom I could cheat on Earl (then what—explaining to him a bastard would
still be better than a barren marriage?), or divorcing him for a man who can sow
and reap better. Neither appeals to me. Earl loves me, and I love being married
to him. The fact that he cannot give me a child may be disheartening to him, but
I have told him that I did not marry him to become a mother. In any case we are
both realists.

Earl left the Army Corps of Engineers after we moved back from France and now
works for his father, a well-respected contractor. I have a vegetable garden,
which I started in our backyard, and I raise chickens, two dozen at any time. I
was hoping to add to my charges some goats, but the two kids I acquired had a
habit of chewing the wooden fence and running away. Lancaster, Pennsylvania, is
not Saint Rémy, and I cannot turn myself back into a goatherd. “A French bride”
is how I was first known to the local people, and some, long after I stopped
being a new wife (we have been married for six years now), still refer to me by
that name. Earl likes it. A French bride adds luster to his life, but a French
bride chasing goats down a street would be an embarrassment.

I gave up the goats and decided to raise geese instead. Last spring, I acquired
my first two, a pair of Toulouse geese, and this year I purchased a pair of
Chinese geese. Earl read the catalogue and joked that we should go on adding
American geese and African geese and Pomeranian geese and Shetland geese each
year. Let’s have a troupe of international brigands, he said. But he forgot that
the two couples will soon be parents. In a year I will be expecting goslings.

The geese, more than the chickens, are my children. Earl likes the geese, too,
and he was the one to suggest that we give them French names. His French is not
as good as he thinks, but that has not stopped him from speaking the language to
me in our most intimate moments. I always speak English to the people in my
American life. I speak English to my chickens and geese.

The garden produces more vegetables than we can consume. I share them with my
in-laws—Earl’s parents and his two brothers and their families. They are all
nice to me, even though they find me foreign, and perhaps laughable. They call
me Mother Goose behind my back. This I learned from Lois, my sister-in-law, who
is unhappily married and who hopes to turn me against the Barrs family. I don’t
mind the nickname, though. It may be insensitive of them to call a childless
woman Mother Goose, but I am far from being a sensitive or sentimental woman.

When Earl asked about my mother’s letter, I told him about the birth of my
grandniece, but not the death of Fabienne. If he detected anything unusual, he
would assume that another baby’s birth reminded me of the void in my life. He is
a loving husband, but love does not often lead to perception. When I met him, he
thought I was a young woman with no secrets and few stories from my childhood
and girlhood. Perhaps it is not his fault that I cannot get pregnant. The
secrets inside me have not left much space for a fetus to grow.

I was in such a trance that I forgot to separate the geese from the chickens at
their mealtime. The geese had a busy time terrorizing and robbing the chickens.
I chastised them without raising my voice. Fabienne would have laughed at my
incompetency. She would have told me that I should simply give the geese a good
kick. But Fabienne is dead. Whatever she does now, she has to do as a ghost.

I would not mind seeing Fabienne’s ghost.

All ghosts claim their phantom skills: to shape-shift, to haunt, to see things
we don’t see, to determine how the lives of the living people turn out. If dead
people had no choice but to become ghosts, Fabienne’s ghost would only scoff at
the usual tricks that other ghosts take pride in. Her ghost would do something
entirely different.

(Like what, Agnès?

Like making me write again.)

No, it is not Fabienne’s ghost that has licked the nib of my pen clean, or
opened the notebook to this fresh page, but sometimes one person’s death is
another person’s parole paper. I may not have gained full freedom, but I am free
enough.


Copyright © 2022 by Yiyun Li

The Book of Goose




$18.00

Available in Digital Audio!

Trade PaperbackHardcoverDigital Audioe-Book Format
Buy Now

Honors


HONORS

 * PEN/Faulkner Award Winner
 * PEN/Faulkner Award - Nominee
 * BookPage Best Books of the Year
 * Buzzfeed Best Books of the Year
 * Kirkus Reviews Best Books of the Year
 * Los Angeles Times Holiday Books Guide
 * New Yorker Best Books of the Year
 * Powell's Best Books of the Year
 * San Francisco Chronicle Best Book of the Year
 * Slate Best Books of the Year
 * Time Magazine Best Books of the Year
 * Slate Book Review Best Books of the Year




The Book of Goose

Author: Yiyun Li


$18.00

Trade PaperbackHardcoverDigital Audioe-Book Format

BUY THIS BOOK FROM:

Amazon Barnes & Noble Books-a-Million Bookshop Powells Target
Reviews


REVIEWS FROM GOODREADS




ABOUT THIS BOOK

A propulsive, gripping new novel about fate, art, exploitation, and intimacy by
the award-winning author of Where Reasons End.
Read More
Page Count
368
Genre
Literary Fiction
On Sale
08/08/2023


BOOK DETAILS

Winner of the 2023 PEN/Faulkner Award for Fiction
Long-listed for the 2023 Andrew Carnegie Medal for Excellence in Fiction

A New York Times Book Review Editors’ Choice
A Slate Top Ten Book of the Year
A TIME Best Fiction Book of 2022

Named a Best Book of the Year by The New Yorker, NPR, Los Angeles Times, The
Guardian, Los Angeles Review of Books, Financial Times, San Francisco Chronicle,
LitHub, Buzzfeed, and more.

A magnificent, beguiling tale winding from the postwar rural provinces to Paris,
from an English boarding school to the quiet Pennsylvania home where a woman can
live without her past, The Book of Goose is a story of disturbing intimacy and
obsession, of exploitation and strength of will, by the celebrated author Yiyun
Li.

Fabienne is dead. Her childhood best friend, Agnès, receives the news in
America, far from the French countryside where the two girls were raised—the
place that Fabienne helped Agnès escape ten years ago. Now Agnès is free to tell
her story.

As children in a war-ravaged backwater town, they’d built a private world,
invisible to everyone but themselves—until Fabienne hatched the plan that would
change everything, launching Agnès on an epic trajectory through fame, fortune,
and terrible loss.

Imprint Publisher

Picador

ISBN

9781250872418


IN THE NEWS

“An atmospheric and evocative coming-of-age story.”
—Elizabeth Crachiolo, Historical Novel Society

“An interesting cassoulet of friendship, fantasy, and the predatory nature of
fame . . . Yiyun Li presents her readers with a fascinating question: What is
real — the stories the world concocts about us or the ones we fabricate about
ourselves?”
—Patricia Schultheis, Washington Independent Review of Books

“A magnificent, beguiling tale winding from the postwar rural provinces to
Paris, from an English boarding school to the quiet Pennsylvania home where
Agnès can live without her past. The Book of Goose is a story of disturbing
intimacy and obsession, of exploitation and strength of will.”
—San Francisco Bay Times (Top of Your Stack)

“Take the knife that Li offers, cut through all these outer trappings, and you
find something much more mysterious. Though it is ostensibly a realist
historical novel about the lives of women and girls in mid-century France...The
Book of Goose secretly dwells in the realm of fairy tale . . . [Li explores] the
strange power of the myths we form about the people who shape us.”
—Sarah Chihaya, The Atlantic

“There is a fairy-tale atmosphere, mystery as deep and dark as the soil, but
also specific historical context . . . Everything is conveyed through layers of
translation, subjectivity and invention. The impact is profound.”
—Max Liu, The i Paper

“A novel of meticulous philosophical inquiry, roaming from the nature of reality
and the truth quotient of fact, memory and fiction to the instantaneousness of
childhood friendship – so much more ‘fatal’, as Agnès puts it, than the
endlessly crooned about love at first sight.”
—Hephzibah Anderson, The Guardian

“This is a novel of deceptions and cruelty . . . But within this somber mood is
something brilliant. With characteristic poise, Li depicts the intricacies of
ordinary lives: childhood friendship, growing up, and existences as slow as the
passively ‘floating’ geese Agnès watches.”
—Francesca Peacock, The Spectator

“Li’s books render the world so sharply that they might draw blood, but they are
also shot through, I think, with an extraordinary hopefulness . . . they possess
a fullness, a deep love of both language and character.”
—Lynn Steger Strong, The Los Angeles Times

“A compulsively readable meditation on how our closest friendships harbor both
love and hate—and how we can fail each other over and over again . . . Li’s
crystalline, insightful prose adds incredible depth to the drama, yet the
dynamic between the girls remains the complex heart of The Book of Goose.”
—Sarah Rose Etter, BOMB

“A subtly suspenseful and inventive novel of friendship, opportunism, fame,
fantasy, success and survival.”
—BookBrowse (five-star review)

“Not since John Knowles' A Separate Peace has a novel wrung such drama from two
teens standing face to face on a tree branch.”
—Kevin Canfield, Star Tribune

“Haunting . . . The Book of Goose is a fascinating period piece . . . focused on
the prickly relationship between [Li’s] two central characters . . . The Book of
Goose itself is a spiky, scratchy, unsettling thing; and it’s all the more
interesting and impressive for it.”
—Lucy Scholes, Financial Times

"Li, of course, has never been the kind of writer who tells you what you want to
hear, and this is surely part of why she has become, while still in her 40s, one
of our finest living authors: Her elegant metaphysics never elide the blood and
maggots."
—Megan O’Grady, The New York Times

“Li narrates from the fringes of her own experience, subverting the notion that
a writer should be bounded by her own identity, that identity is both personal
property and territory to be defended. She insists on her own uncategorizable
perspective, breaking rules in a sly, stubborn way."
—Alexandra Kleeman, The New York Times Magazine

“Li has proven herself a master storyteller.”
—Adrienne Westenfeld, Esquire (Best Books of Fall)

“Come for the writerly scheming, stay for the exquisitely calibrated examination
of how our most tender and important bonds involve the manipulation of power and
devotion.”
—Bethanne Patrick, The Los Angeles Times (most anticipated)

"Yiyun Li’s extraordinary new novel is a multivalent exploration of friendship
and love, experience and exploitation, fate and futility, the slippage between
reality and artifice . . . brilliant.”
—Carolyn Oliver, On the Seawall

“Exquisite . . . Knives, minerals, oranges, and the game of Rock Paper Scissors
sneak into Agnès’ narrative as she relates the trajectory of a once-unbreakable
union. The relative hardness of those substances is a clue to understanding it
all. Stunners: Li’s memorable duo, their lives, their losses.”
—Kirkus Reviews (starred review)

“Not since Elena Ferrante’s My Brilliant Friend has a novel so deftly probed the
magical and sometimes destructive friendships that can occur between two girls .
. . The Book of Goose is an elegant and disturbing novel about exploitation and
acquiescence, notoriety and obscurity, and whether you choose your life or are
chosen by it.”
—Lauren Bufford, BookPage (starred review)

“Bringing to mind Elena Ferrante’s My Brilliant Friend, by way of Anita
Brookner’s quietly dramatic prose, [The Book of Goose] makes for a powerful
Cinderella fable with memorable characters. It’s an accomplished new turn for
Li.”
—Publishers Weekly

Show More Show Less


ABOUT THE CREATORS

 * Author


YIYUN LI



Yiyun Li is the author of several works of fiction—Must I Go, Where Reasons End,
Kinder Than Solitude, A Thousand Years of Good Prayers, The Vagrants, and...

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The Book of Goose




$18.00

Available in Digital Audio!

Trade PaperbackHardcoverDigital Audioe-Book Format
Buy Now

Honors


HONORS

 * PEN/Faulkner Award Winner
 * PEN/Faulkner Award - Nominee
 * BookPage Best Books of the Year
 * Buzzfeed Best Books of the Year
 * Kirkus Reviews Best Books of the Year
 * Los Angeles Times Holiday Books Guide
 * New Yorker Best Books of the Year
 * Powell's Best Books of the Year
 * San Francisco Chronicle Best Book of the Year
 * Slate Best Books of the Year
 * Time Magazine Best Books of the Year
 * Slate Book Review Best Books of the Year




The Book of Goose

Author: Yiyun Li


$18.00

Trade PaperbackHardcoverDigital Audioe-Book Format

BUY THIS BOOK FROM:

Amazon Barnes & Noble Books-a-Million Bookshop Powells Target
Reviews


REVIEWS FROM GOODREADS




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