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Join us at The Drawing Center's 2022 Benefit Auction →

Join us at The Drawing Center's 2022 Benefit Auction →

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OCT 7, 2022–JAN 15, 2023


IBRAHIM EL-SALAHI: PAIN RELIEF DRAWINGS

Ibrahim El-Salahi, Pain Relief Drawing, 2018. Pen and ink on a paper envelope.
11 1⁄4 x 7 7⁄8 inches (28.6 x 20 cm). Courtesy of the artist and Vigo Gallery,
London.




Ibrahim El-Salahi, Pain Relief Drawing, 2016-18. Pen and ink on medicine packets
and envelope. 7 1⁄8 x 3 7⁄8 inches (18.1 x 9.8 cm). Courtesy of the artist and
Vigo Gallery, London.




Ibrahim El-Salahi, Pain Relief Drawing, 2016-2018. Pen and Ink on medicine
packets. 3 5/8 x 2 3/8 inches (9.3 x 6 cm). Courtesy of the artist and Vigo
Gallery, London




Ibrahim El-Salahi, Pain Relief Drawing, 2018. Pen and ink on a paper envelope.
11 1⁄4 x 7 7⁄8 inches (28.6 x 20 cm). Courtesy of the artist and Vigo Gallery,
London.




Ibrahim El-Salahi, Pain Relief Drawing, 2016-18. Pen and ink on medicine packets
and envelope. 7 1⁄8 x 3 7⁄8 inches (18.1 x 9.8 cm). Courtesy of the artist and
Vigo Gallery, London.




Ibrahim El-Salahi, Pain Relief Drawing, 2016-2018. Pen and Ink on medicine
packets. 3 5/8 x 2 3/8 inches (9.3 x 6 cm). Courtesy of the artist and Vigo
Gallery, London




Born in 1930 in Omdurman, Sudan, Ibrahim El-Salahi is one of the most
significant artists in African and Arab modernism. Featuring a hundred drawings
from El-Salahi’s latest series, titled Pain Relief, this exhibition will mark
the first museum presentation of the artist’s drawings since his 2013
retrospective at Tate Modern. Drafted on the back of medicine packets, pill
bottle labels, envelopes, and scraps of paper, El-Salahi’s intricate pen and ink
Pain Relief drawings serve as a form of respite for the 91-year-old artist, who
finds diversion from his chronic pain through his daily drawing practice.
El-Salahi produced this remarkable collection of nearly 300 drawings over the
past two and a half years (100 were made in 2020 during the pandemic).

A British citizen for decades, El-Salahi’s drawings are deeply connected to
postwar European modernism, but also are profoundly embedded in a tradition of
African and Islamic art history. After studying at the Slade School of Art in
London, El-Salahi returned to Khartoum in the late 1950s to become a founding
member of the celebrated Khartoum School, a bellwether group of artists that
represented the flowering of modernism in the Islamic world. Inspired by Arabic
calligraphy, as well as Surrealist figuration and geometric abstraction,
El-Salahi created a distinctive visual language that he expresses most
prolifically in drawing.

Organized by Laura Hoptman, Executive Director






CREDITS

Generous support for Ibrahim El-Salahi: Pain Relief Drawings is provided by the
Robert Lehman Foundation and Isabel Stainow Wilcox. Additional support is
provided by Jeanne Greenberg Rohatyn and Vigo Gallery.



ALSO ON VIEW


 * ECCE HOMO: THE DRAWINGS OF GENERAL IDEA
   
   
   THROUGH JAN 15, 2023


 * CATHERINE CHALMERS: WE RULE
   
   
   THROUGH JAN 15, 2023

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