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MONDAY, JANUARY 14, 2013


SPACE DOCTOR KENNY: CHAR DEV.


I have been working on my thesis film and started to collaborate with some
amazing writers at UCLA. It is such a joy to see how other artists interpret
your ideas and infuse them with their own. I am loving the process so far. Here
are some images I've rendered to show them the main character Kenny and his
sidekick Mimi. As you can see, there are some problems with MentalRay which I
need to fix, but I am finally getting really excited and more inside of the the
story seeing this come alive. It will be a tough next 4 months but I am super
motivated to tackle it.
 

Posted by Saeko at 3:57 PM 2 comments:





MONDAY, DECEMBER 17, 2012


COMMISSIONED WORK: "BOOK OF DEAD" CHARACTER SKETCHES


The winter break is starting and I am finally getting some time to work on my
own work.
Before then, I was working a lot on classes I was taking and a many commissioned
work including illustration, VFX and video editing for some people I knew.
One of the most fun and challenging works I did is the pitch material for a
feature script my friend wrote called "Book of Dead" It is an incredible dark
fantasy story about world of dead.
Here are character sketches I did in about 8 hours total. It was a challenge
because I was trying to do realistic look while pushing personalities of them,
and I am simply not used to drawing human figure.
Anyways, I am happy with how it came out in the limited time I had and I hope to
be able to do more work on the story in the future.














Posted by Saeko at 8:59 PM No comments:





SATURDAY, DECEMBER 1, 2012


LIGHTING EXERCISE: "MERRMAN'S DAY" PART 1


6:00am Wake up, sleepy head!






8:00am Good news from a friend?





Posted by Saeko at 7:24 PM No comments:





MONDAY, NOVEMBER 19, 2012


CTNX WRITEUP


I have not been around this blog much, but I've been to CTN Expo this weekend
and it was so amazing that wanted to write everything I've experienced before I
forget, so here it goes.
This year, I was able to get a ride from my friend who got a table at a
secondary exhibition area at CTNX, so I was there pretty much all day & every
day for the entire event. I have been there a couple of times before and I had
no idea how to navigate other than to walk around the floor and go to panels.
This time, I had my lighting reel and some images of renders from my films, as
well as whole bunch of business cards to give out. I also printed out some
resumes, but it seems nobody was really interested in that, so I didn't need it.
Just for a future reference.


-----------------------------------------------------------------------------------------------

FRIDAY 16th
We left really early and got there around 8-9 to pick up our badges and start
preparing the tables. The new talent tables were sat up inside of a large tent
right next to the convention center, and there were about 40 tables there. Most
people at the tent were students or recent graduates and the technical and
artistic level varied, but overall incredibly high and impressive. They seemed
very professional, and some sold their books and prints as well as showed there
portfolios and films with computer monitors and tablets.

Panels
-Demo Reel review of Animation
It was open critiques of animation reels sent in advance to Aniamtion Mentor,
ReelFX and Disney people. Though I am not an animator, their honest and concise
comments were very informative at the same time were kind of intimidating. Here
are some points I've taken away from it.  
-- Prepare different reels for companies depending on their styles of films
-- Make info page as simple, clean and easy to read as possible. Always put
contact info
-- First shot is the most important. You can grab it or lose it. first 10 second
can decide your fate.
-- Make it as short as you can make it.
-- Use references on your works
-- Reach out recruiters in linkedIn. Update them with your new work.
-- Update with stuff you like on Face Book, like films you saw.  Don't bad-mouth
online. It travels fast.
-- Entertain with your reel. Have rhythm, and arc to your piece.

-Independent Film Distribution
This was about a company called GKids. They distributes independent art
animation films like "Secret of Kells" and "A Cat in Paris". They are small and
efficient company. Their films are usually made with $5-15 million which is  a
fraction of cost of big studio animation. (Ex. Toy Story 3 cost about $200
million.) It is usually the case that companies lose money with theatrical
release, but make it up with DVD and Network sales, but by being more thoughtful
about their process, they are able to gain profit by theatrical release. They
distribute Ghibri Animation now which is amazing.
I was very impressed by their selection of films and would very much like to
support their effort to continue with their mission to deliver unique films that
are not necessarily aimed for kids all the time.

-How to run a small studio from anywhere
A very interesting talk by a cloud based flash animation company called
Timbuktoons.
Their challenges are lack of communication and collaboration, since their
animators didn't really have time to talk to eachother besides giving notes. So
they always try to create team environment by minimizing email usage and
utilizing video or voice chatting. They need animators that are very responsible
and more of self starters since they do not have much of a way to train them.
Advantages are their ability to gather diverse talent with minimal cost. They
are very flexible and productive with almost no overheads.
They gave some tips about utilizing online organization tools as well as social
media. It is important to be protective of yourself to avoid danger. They called
it "Hedgehog Concept". They stressed that we need to have a clear career goal
and recommended we take personality test to better-understand ourselves.

-   Creating a game from concept to finish
This was an insane mind-blowing and super- long panel from a creator of an award
winning game called "Insanely Twisted Shadow Planet".
He went in depth in his production starting from the concept to the finish.
There were unbelievable amount of talent and work that went into the project and
I am still not sure how to process everything that happened there. It was pitch
dark in the room, and we were focused on his PowerPoint presentation of  his
artworks, trailers and game-plays for about 2 hours. What I liked the most about
the presentation was comparison between the screen captures of temp 3D work done
by art director and his final touch-up of designs and revision notes. His
meticulous sense of direction and style were just so overwhelming. He is a
visionary and a successful director. His game looks exactly like his concept
art!! If I get access to PC, I am definitely playing it.

Finds and Meetings
-ReelFX
-Disney
--Needs more theatrical and complex scenes.
--Add reference to your works
--More interior shots with GI
--Everything is too dark

Overall
The event was full of energy and talent. I was excited and overwhelmed all day.
Things I 'd like to work on... I am really not good at projecting my voice at
loud place, and I really don't know how to carry small talk conversation into
personal connection. I still get very selfconscious about words and accents that
I stutter a lot. Needs work on self-presentation and conversational skill.



-----------------------------------------------------------------------------------------------

SATURDAY 17th
It was most crowded of three days. The main floor was packed with people that it
was really hard to move around. New talent area was still kind of vacant
throughout the day. I think most people didn't know it and other people were not
sure what it was. It rained all day and it was cold.

Panels 
-Become Professional Student
Very inspiring talk by Tyler Carter, a super star vis-dev artist from BYU. I
knew him from a while ago and the panel was one of the most unforgettable of
all. It is not just what he said but his delivery was incredibly soothing and
encouraging. I was really inspired. Here are some tips he gave.
--Try to use time in the best way you can. Always improve and move forward.
--Act not react. Be proactive about your classes and take advantage of
resources.
--Organize yourself. Find peace. Always be ready to show work. Print things
early.
--Publicity. Make yourself look important than you actually are.
--Stay original to who you are.
--reference reality, not other animation
--Keep work fresh. Produce new work every chance you can get
--Tell yourself that you are a pro. You will be if you believe it.
--Network.
--Allow yourself to be selfish.
--Put time in your work. Find peace with it.

-DreamWorks "The Croods"
DWA artists and directors talked about how they approached the visual style of
"The Croods", their upcoming film about a cave family. They showed many stunning
vis-dev images and some footages of inspiration as well as their final render
footage. I really liked the creature designs of the world, like the giant cat
and little mousy elephants. I wonder how they are going to simplify the image
when all the surrounding are full of colors and main characters are tan and
brown, the colors that don't stand out. From the sequence they showed, I noticed
that they were using mist and fog to desaturate surrounding so that characters
don't get buried in the powerful environment. I am interested in how this movie
will come together.

-Surviving in a Studio
This was another panel moderated by AnimationMentor about how to live in studio
world once you get in. A lot of things are relevant to any positions in studios,
so here are what I recall from the panel. I didn't take notes for some reason...
--Be nice to anybody and everybody. You never know your junior can become above
you. It's a small world, and if you behave strangely or offensively, the news
will travel faster than you think.
--In dailies, be quiet for the first month and observe the environment and
etiquette. If you have notes, approach the artist personally after the dailies.
--Be confident but not cocky. When asking for advice, be appreciative but not so
unsure of yourself.
--If your shots are taken away, don't take it personally. It happens to
everybody.
--Observe speed of other people and learn to be in the flow.
--Meet the deadline as much as possible, but if you can't, communicate.

Finds and meetings
-Laika Portfolio Review
-Nickelodeon Artist program
-Cory Godbey Amazing nature creatures illustration. I got his book and a print!

Overall
Since it was the second day, I had more grasp of what the whole event was about,
and was able to orient myself easily. I talked to more people than Friday and
was able to talk longer. I communicated with some educators and companies that I
found very interesting. It was hectic throughout the day, and it went by really
quick, especially because I had many meetings and panels. I enjoyed talking to
some friends I don't usually get to hang out as much. Party afterwards was great
too. Still, socializing in this situation can be very awkwrd because it is the
situation of "I know that they know that I know". I just had to let it go and
enjoy the moment though.


-----------------------------------------------------------------------------------------------

SUNDAY 18th
Last day of the event. My agenda was to meet artists at their booths and not
attend as many panels. It was a short day, but still very crowded on the main
floor.

Panels
-Frankenweenie
The panel of "Frankenweenie" with cast and crew. It was moderated by Charles
Solomon. They talked about their production approach and process. What I found
most intriguing is the fact that they used green screen and set extension a lot
as well as VFX to save budget and produce high quality realistic images. It was
encouraging to see that because I love stop-motion and would love to be involved
in its productions with the skill-set I have.

-How to behave in recruiting
Panel by recruiters from Sony, Dream Works, Cartoon Network and Disney. The
recruiters were all women. Here are some notes.
--Have a manner  when approaching them. Don't be so aggressive.
--Update your status often. Communicate where you are, when you are available to
work and such.
--Keep your references. Be good in school so your teachers can say nice things
about you.
--Update blog often. Keep in touch.
--Submit your films to festivals. Attention from anywhere helps.
-- Network wherever and whenever you can.
--It helps to have both hard and soft copy of your portfolio. Some recruiters
like one or the other better.
--Edit your work. Keep it as short as you can without losing your essence.
--Include your student film in separate or end of your portfolio.
--Make them laugh with your work. Laugh always helps.

Finds and Meetings
-Disney
--create clear shapes. Push silhouette.
--Avoid hard edges that reveal CG-ness of the image
--Tell a story with lighting. Be conscious about where you want the viewers to
look.
--Show reference images.
--Clarify your scene.
-Mike Lee -Insanely meticulous and precise pencil drawings. I love the quietness
of his artwork.
-ToonBoom Harmony -I had no idea that you can import 3D scene and work on top of
them. It can generate pretty nice effects and particle system based on your
drawings. I am seriously considering to get it to use it for my project. John K
was at the booth demonstrating his new animation work!!

Overall
The whole experience was extremely inspiring and encouraging. I learned so much
that I was able to write this much stuff(I don't like to write so much) in such
short time. I also noticed my progress and weakness I need to work on for next 7
months until my graduation.  I have more clear direction to where I want to get
to. I hope that I will be able to participate as either a professional or a new
talent exhibitor next year.





Posted by Saeko at 2:54 PM 2 comments:





FRIDAY, AUGUST 10, 2012


MERMAN AND FISH DONE!!!




Yes and yes!! The film I have been working on last year or so has finally
picture-locked. I have one of my good friends do sound design on it and
hopefully be able to find someone to mix it. I am soooo stoked!! This was
supposed to be done in June, but I just had a crazy ambitious idea to start
with, so it took me extra 2 months to final everything and get the look I
wanted. It was such a hard road after the summer started. I am so ready to move
on and do some completely new projects.
I just had a small viewing with some close friends and it seems I was able to
convey the story well enough for people to understand, so I am looking forward
to showing more people and getting their reactions once the sound is done and
mixed. Perhaps, I can do a viewing party or something??


This is the first version of the poster. I really like making posters because it
tells a lot about the stories.  It took me forever to decide the eyes for Fish
because my friend suggested she should be looking at Merman instead of the
front. I tried some stuff out and it just did not stick with me, so I went back
to original idea. I wonder what the reaction is from other people?


Anyways, I am getting ready to just settle down and seek for inspirations for my
next project. The summer has finally begun!

Posted by Saeko at 6:54 PM No comments:





TUESDAY, AUGUST 7, 2012


POOR LITTLE BIRDY.





There has been a family of birds with two little babies in front of my
apartment. I noticed them first because the parents were very on alert and
hissing and flying very closely whenever i would go outside or my friends come
visit me. This morning, My cat went outside and brought me a little dead baby.
It was so sad because I saw them when they were just jumping around on the
ground with their parents. I wrapped him with a soft tissue paper and buried it
in the backyard this afternoon. Sorry bird ;(

Posted by Saeko at 6:21 PM No comments:





THURSDAY, MAY 31, 2012


WATERMELON!



This was my contribution to Squash n Sketch blog for the new theme.
Can't wait for the summer to come ;)

Posted by Saeko at 1:39 AM No comments:



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