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Manage Cookie Consent To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions. Functional Functional Always active The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network. Preferences Preferences The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user. Statistics Statistics The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you. Marketing Marketing The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes. Manage options Manage services Manage vendors Read more about these purposes Accept Deny View preferences Save preferences View preferences Cookie Policy Privacy {title} * Subscribe * Email Bulletin * Podcasts * Artillery Row Log in Subscribe Try five issues of Britain’s newest magazine for £10 Search for: * Subscribe * Email Bulletin * Podcasts * Artillery Row Log in WHAT ARE UNIVERSITIES FOR? The battle for British universities is not yet lost Features James Orr BRUSSELS, CAPITAL CITY OF SURREALISM In Brussels, Surrealism lurks in the most unexpected places On Art William Cook WHISPERINGS OF THE CRUEL SEA Britten: Concertos (Orfeo) Lebrecht's Album of the Week Norman Lebrecht THE BOY WHO NEVER GREW OLD Eric Ravilious’s ethereal watercolours chime with today’s sensibilities Features Barendina Smedley ARTILLERY ROW IN THE NAME OF GOD, LEAD The Prime Minister appears terrified of making a stand against racism in his own party Artillery Row Robert Hutton MURDERS FOR MARCH Sharp lines, twisting plots and colourful characters Artillery Row Jeremy Black BRITAIN’S FIRST POSTMODERN ELECTION What Galloway’s victory really tells us about Britain Artillery Row Sebastian Milbank SCARY CUTE CUTE, a new exhibition at Somerset House is a deliciously unsettling stroll down the uncanny valley Artillery Row Ella Nixon GROSSLY OFFENSIVE CENSORSHIP A new ruling offers hope for an end to preposterous rulings over “malicious communications” Artillery Row Freddie Attenborough THE WORM (RE)TURNS Dune: Part Two is in cinemas — and it’s more of the glorious same Artillery Row Robert Hutton WE MUST ESCAPE SUBTOPIA As Ian Nairn warned, British town planning has had a grim levelling effect on our urban and rural spaces Artillery Row Xander West LUTFUR RAHMAN AND THE FUTURE OF LOCALISM A new and dangerous kind of local politics is emerging in Britain Artillery Row Sam Bidwell THE DEATH OF CHARITY? The decline of religion and the fraying of our social fabric has made us meaner Artillery Row Stephen Wigmore FEATURES IT’S TIME TO STOP THE ROT Students denounced, lecturers cowed and managers with little interest in truth Features Edward Skidelsky IT’S NOT ROCKET SCIENCE It all goes wrong when arts departments start imitating research universities Features Michael Lind HOW THE INTERNET KILLED THE SIMPSONS Nicholas Clairmont has avidly viewed more than 750 episodes of the comedy about the residents of Springfield — but won’t be watching any more Features Nicholas Clairmont THE SPECTRE OF THE PAST The “Great English Ghost Story” offers a form of comfort and is rooted in the ache of nostalgia for a more elegant era Features J. S. Barnes PROFILE: SALVADOR ALLENDE Lionised by the Left, the Chilean president refused to moderate his Marxist aims in the face of economic chaos Features Sebastian Milbank PREACHING TO A DWINDLING CHOIR Once the default denomination of tycoons and the WASP elite, America’s Episcopal Church is struggling Features Andrea Valentino COLUMNS SHEIKH UP THE TELEGRAPH We are fortunate that the UAE still wishes to invest in so unstable a country Columns Ned NOVA’S DIARY: EVERYTHING’S DIFFERENT NOW Rishi is helping our neighbour, Big Jeremy, with his sums Columns Robert Hutton RESTORING SANITY TAKES TIME So many people have built their professional lives around gender insanity Columns Helen Joyce LESS WILL BE BETTER More students have been worse. Some became dons — they have been worse too Editorial The Critic BOOKS PLAYING THE VICTIM A new book satirises the bizarre dynamics of social justice activism Books Stephen G. Adubato KILKENNY’S GOLDEN AGE A fascinating exploration of Irish history could have been better and more comprehensively illustrated Books James Stevens Curl THE DISTINCTIVENESS OF HUMAN AGGRESSION A review of The Goodness Paradox: The Strange Relationship Between Virtue and Violence in Human Evolution by Richard Wrangham Books Rob Henderson POSTCARDS FROM BEFORE THE WAR It is no longer possible to reflect upon Israeli culture as if the “Question of Palestine” could be brushed aside Books Samuel Rubinstein THE CRITICS HOW TO WIN AT CHOPIN Giving marks to people playing Chopin is no different from deciding on medals in gymnastics On Music Norman Lebrecht MAD FOR THIS FRESH TAKE ON KING LEAR Farber’s casting and concept feels assured On Theatre Anne McElvoy GREAT LIVES — GREAT, THE ESSAY — AWFUL Radio 3 maintains its course towards self-destruction On Radio Michael Henderson THE EROTIC ART BOOK BANNED BY A POPE A rich tale of great artists, pornography and the papacy has made I Modi one of the most fabled of all books On Art Michael Prodger TABLE TALK IS A GUARANTEED SALE FAIR? Auction house practices may be distorting the picture Dealing Rufus Bird DEER PRUDENCE It’s time for a change of attitude to wild British venison Country Notes Patrick Galbraith SEXY SIMPLICITY For February, try a palette cleanse Fashion Hannah Betts UNOBTRUSIVELY SUPERLATIVE A quietly brilliant Chelsea staple where the food practically tap dances off the fork Eating Out Lisa Hilton thecritic-logo * Features * Books * Columns * Table Talk * The Critics * About * Subscribe to The Critic * Privacy * Cookie Policy Copyright © 2024 Locomotive 6960 Limited Designed by Interconnect. Powered by Standfirst. THIS IS ONE OF YOUR 3 FREE ARTICLES WITHOUT REGISTERING For full access, subscribe to The Critic for less than £3 per month. Already have an account? Log in. SUBSCRIBE REGISTER FREE Already have an account? Log in. YOU'VE REACHED THE END! Don't worry. You can register for free to read Artillery Row articles. Or get full access to The Critic for as little as £3 per month. 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