www.videocraft.com.au
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Submitted URL: https://www.videocraft.com.au/sony-fx6-full-frame-cinema-camera-body/
Effective URL: https://www.videocraft.com.au/sony-fx6-full-frame-cinema-camera-body?location=&quantity=1
Submission: On October 06 via manual from AU — Scanned from AU
Effective URL: https://www.videocraft.com.au/sony-fx6-full-frame-cinema-camera-body?location=&quantity=1
Submission: On October 06 via manual from AU — Scanned from AU
Form analysis 3 forms found in the DOM
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<span>or interest free for up to </span><span class="zip-payment-amount">6 months </span> <span> with</span>
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<!-- TEMPLATE ENDS: product_list_control_item -->
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</ul>
<h5 class="product-list-control-flyout-title">Or: </h5>
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<div class="product-list-control-new-item-add-new-list-input-container" data-validation="control-group"><input class="product-list-control-new-item-add-new-list-input" name="name" type="text" data-type="new-product-list-name"
placeholder="Your new list name"></div>
<div class="product-list-control-new-item-add-new-list-buttons"><button type="submit" class="product-list-control-new-item-button-create"> Create and add item </button></div><!-- TEMPLATE ENDS: product_list_control_new_item -->
</div>
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</div><!-- TEMPLATE ENDS: product_details_add_to_product_list -->
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<div data-view="ProductDetails.AddToQuote" class="product-details-full-actions-addtoquote"><!-- TEMPLATE STARTS: product_detail_to_quote--><!-- TEMPLATE ENDS: product_detail_to_quote --></div>
</div>
</section>
</form>Text Content
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* Sony FX6 Full Frame Cinema Camera Body
SONY FX6 FULL FRAME CINEMA CAMERA BODY
SKU: SON-ILME-FX6V
Features:
* 4K Full-Frame 10.2MP CMOS Exmor R Sensor
* DCI 4K60p | UHD 4K120 | 1080p240
* 15+ Stops of Dynamic Range in S-Log 3 EI
* Compact Form Weighs Just 900g
* Phase Detection AF/Face Tracking/Eye AF
* Base 800-12,800 ISO / 320-409,600 Max
* S-Cinetone, S-Log3, HLG Modes
* 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
* Dual CFexpress Type A/SDXC Card Slots
Model: FX3 FX6 FX9
Note: Estimated Availability October 2022. Option to secure next earliest
availability with a refundable deposit - Click Here. Alternatively
please Contact for availability and custom quotes
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$9,499.00
RRP: $9,999.00
Zip
or interest free for up to 6 months with ⓘ
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QuantityPrice
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Details
The Sony FX6 Cinema Camera puts revolutionary compactness and performance in the
hands of creators, with its full-frame image sensor and breathtaking ...
Specifications
Size & Weight WEIGHT (MAIN UNIT ONLY)Approx 890g (1lb15oz)DIMENSIONS (W X H X D)
(INCLUDING SUPPLIED ACCESSORIES)Approx. 2.59kg(5lb11oz) (with Viewfi...
What's In The Box
Sony FX6 Cinema Camera (ILME-FX6)Battery chargerBattery packCold shoe kitGrip
remote controlHandleHandle connector capLCD hoodLCD monitorLens mount ca...
* Details
* Specifications
* What's In The Box
Back
The Sony FX6 Cinema Camera puts revolutionary compactness and performance in the
hands of creators, with its full-frame image sensor and breathtaking
sensitivity. Leading-edge movie functions deliver game-changing performance and
a library of cinematic looks, alongside pro interfaces and an electronic
Variable ND Filter.
Option to secure earliest availability in Aus with a refundable deposit - Click
Here
Product Features Video
Features:
* Full-frame Exmor R CMOS sensor, 10.2 effective megapixels
* BIONZ XR engine performs real-time image processing
* ISO expanded range up to 409600, a wide 15+ stops.
* S-Cinetone colour science.
* Full-frame 4K (QFHD) recording at up to 120fps
* 4K internal recording, 10-bit depth and 4:2:2
* 16-bit RAW data output via SDI.
* HDMI output for program monitoring.
* Timecode (TC IN / TC OUT) connectors allow multi-camera sync
* Fast Hybrid AF combines focal-plane phase-detection AF with
contrast-detection AF.
* Real-time Eye AF and Face Detection AF are built-in.
* Variable ND Filter from 1/4 to 1/128ND
* 3.5-size LCD panel (1280 x 720 pixels),
* Smart Grip and Handle include customisable buttons
* Compatible with CFexpress Type A cards as well as SDXC/SDHC cards supporting
UHS-I and UHS-II speed classes
Image sensor with blazing fast readout speed
The back-illuminated full-frame Exmor RTM CMOS sensor, with 10.2 effective
megapixels1, boasts a blazingly fast data readout speed along with high
sensitivity and wide dynamic range. An advanced colour filter array boosts
colour reproduction accuracy, while focal-plane phase-detection AF enables solid
autofocus stability and excellent precision, all of which contribute to
outstanding image quality.
High-performance image-processing engine
The BIONZ XRTM image-processing engine boasts class-leading speed performance,
minimising latency while providing impressive real-time processing capabilities.
The engine performs real-time processing of AF, image recognition and image
quality adjustments, while also handling data transfer, user interface and other
camera operations.
High sensitivity, wide dynamic range
The full-frame 10.2-megapixel2 configuration enables high sensitivity with low
noise throughout the camera's sensitivity range by optimising the output signal
from the sensor. Capture usable images in near total darkness with an impressive
ISO expanded range up to 4096003. The dynamic range is an impressively wide 15+
stops4, for beautiful, true-to-life images without blown highlights. Together,
the camera's high sensitivity and wide dynamic range expand your creative
freedom during shoots.
Acclaimed cinematic colour with S-Cinetone™
The inclusion of Sony’s acclaimed S-Cinetone look, inherited from the
development of the FX9, allows beautiful images to be achieved directly
in-camera. S-Cinetone is optimised for natural skin tones and mid-range colours,
with gentle highlight roll-off, for impressive subject depiction and powerful
camera-matching and post-production possibilities.
4K5 High Frame Rate 120fps recording
Full-frame 4K (QFHD) recording at up to 120fps4 with autofocus is possible
thanks to the high-speed readout capabilities of the image sensor and the
powerful BIONZ XR processor. Even at high frame rates, ultra-detailed 4K (QFHD)
images are captured using full-pixel readout without binning, for clear
post-produced slow motion (up to 5x slower than real time). The high-precision
AF even allows beautiful full-frame bokeh to be achieved during slow motion
shooting, for impressive creative scope.
Preset and User 3D LUT compatibility with Scene File
The Scene File function provides powerful colour interpretation right in the
camera, with a range of presets and custom User 3D LUT imports to fit your
production or style requirements. Four preset scene file types are included for
SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live,
HLG Natural). A further 16 slots support User 3D LUT import to achieve custom
looks or for specific monitoring or colour-space transforms.
10-bit HLG picture profile
An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut
BT.2020 colour space, can be used for direct HDR (HLG) playback on compatible
TVs. The result is true-to-life imagery close to what the naked eye can see,
with detailed shadows and highlights, less blackout and less whiteout, all
without the need for colour grading. In particular, 10-bit recordings reproduce
a level of fine gradation and detail for extraordinary realism. [1] High
flexibility to fine-tune images as desired (colour grading required) [2] Instant
high-quality image (colour grading not required)
S-Log3 for better reproduction of gradations
S-Log3 gamma curves are available, with S-Log3 designed for better reproduction
of gradations from shadows to the mid-grey range (18% grey), enabling a dynamic
range of up to 15+ stops4. Two colour gamut settings (S-Gamut3, and
S-Gamut3.Cine) make it easier to match the colours of footage shot with Sony's
Cinema Line Cameras. Because the colours match, colour grading is easier in
post-production editing, making it more convenient when used along with other
pro cameras.
Recording movies with 10-bit depth and 4:2:2 colour sampling
The FX6 is capable of 4K internal recording, encoding 10-bit depth and 4:2:2
colour sampling with either Long-GOP or All Intra compression. This makes it
possible to push your colour grades further, stretching video out for ultimate
HDR realism while still retaining natural gradation, for true editing freedom.
All-Intra internal recording
In addition to Long-GOP inter-frame compression, internal intra-frame
(All-Intra) recording is supported8. XAVC 4K Intra recording compresses each
frame independently at a high bitrate, up to 600Mbps, so is ideal for capturing
complex motion, and allowing maximum flexibility and playback performance during
post-production. [1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures
16-bit RAW data output
Facilitating improved image quality and more flexible and efficient editing in
post-production, the camera supports 16-bit RAW data output to an external
recorder via SDI. RAW video output is 4096x2160 or 3840x2160 data from the image
sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates9.
Proxy recording for more efficient editing workflow
When shooting movies, low bit-rate HD proxy files can be recorded simultaneously
with higher bit-rate formats such as XAVC 4K, and these smaller proxy files can
then be used for editing and previewing prior to final production delivery. This
reduces computer load and allows faster and more efficient workflows. Proxy
files are captured in 8-bit XAVC-L (1980x1080 9Mbps MP4 wrapper).
A choice of battery types for different applications
The FX6 is compatible with BP-U series battery packs. The BP-U35, BP-U70,
BP-U100, or BP-U60T can be selected according to shooting needs. The BP-U35, for
example, is an ideal choice to make most of the camera’s mobility when it is to
be used handheld. The BP-U100, on the other hand, can provide extended recording
time when the FX6 is to be mounted on a tripod or other support. The battery
CHECK button allows charge level to be checked even when the battery is not
connected to the camera.
Fast Hybrid AF for dependable focus during movie shooting
Fast Hybrid AF combines focal plane phase-detection AF with contrast-detection
AF. This results in highly precise, smooth tracking of fast-moving subjects even
over a wide range with a shallow depth of field. AF Transition Speed and AF
Subject Shift Sensitivity parameters allow more flexible focus control, as
demanded by professional users. Both allow preset settings to be recalled during
recording by using a customisable button.
Real-time Eye AF and Face Detection AF
For reliable focusing on people, especially in unpredictable shooting
environments such as news gathering, event and documentary shooting, powerful
Real-time Eye AF and Face Detection AF are built in. The real-time processing
capability of the BIONZ XR image processing engine automatically maintains
accurate eye focus on faces even in profile, looking up or down, or partially
obscured - allowing you to concentrate fully on shot composition.
Lens-ring AF subject selection
When the AF Assist function is ON, rotating the focus ring instantly switches
from autofocus to manual focus so that a different subject can be quickly
selected. The face selection algorithm has also been improved so that the focus
ring can be used to quickly and intuitively select specific individuals from
within a group when shooting with Real-time Eye AF or Face Detection. Autofocus
operation resumes as soon as the user stops rotating the lens focus ring, and
the last subject selected by the focus ring is automatically tracked.
Sony’s powerful electronic Variable ND Filter built-in
The revolutionary electronic Variable ND Filter controls the opacity of the
neutral filter seamlessly from 1/4 to 1/128ND to achieve unmatched creative
control and fluidity. Unique to Sony, it can manually or automatically adjust
exposure without affecting the depth of field or shutter angle, letting you
achieve perfect exposure even moving between different environments such as from
indoors to out.
Reliable durability and weather resistance in tough situations
In response to pro opinions, enhanced sealing is applied to the media
compartment lid, terminal cover and all joints in the chassis. Routes to dust
and moisture entry have been re-examined to ensure reliable operation in
challenging environments.
Magnesium alloy body achieves high durability with light weight
To perform reliably in challenging environments the main chassis, as well as
top, front, and rear covers and the handle are constructed from lightweight
magnesium alloy. The magnesium alloy main frame achieves high strength and
durability with minimum weight in order to maximise mobility. The rigidity of
the mount area is also boosted by the provision of six screws for stable
attachment of heavy lenses.
Innovative heat dissipation to prevent thermal shut down
To ensure dependable full-frame recording in demanding environments and at high
resolutions and frame rates, the FX6 features an innovative heat dissipation
structure. A complete redesign of the chassis structure assessed the placement
of internal heatsinks and the entire airflow structure, from louvers to circuit
board layout. When required, a silent12 fan provides ventilation for continuous
recording13 at full resolution, with intake and exhaust air structurally
isolated to maintain strong dust and moisture resistance.
High-definition 2.76 million-dot1 flexible LCD touch panel
The 3.5-size LCD panel (1280 x 720 pixels) is mounted on an extended pedestal,
and adjustable to a wide range of angles for easy video monitoring regardless of
camera rigging and shooting angle. Mounting points are provided at three places
on the handle and two on the body. With touch panel support, it also provides
intuitive control for many camera settings, even where camera body controls are
less accessible.
Dual XLR inputs and enhanced audio capability
The handle of the FX6 carries two independent audio inputs (easy-access XLR
connectors) to connect external professional microphones. Additionally, a UWP
series wireless microphone may be connected via the MI Shoe.
Smart grip
The FX6’s ergonomic Smart Grip is designed for powerful and comfortable camera
control even during prolonged or dynamic shooting situations. Three customisable
buttons, plus essential zoom and start/stop control and a custom dial suitable
for Iris or Variable ND Filter control, are all positioned in easy grip reach.
The freely-adjustable telescoping handle and grip angle are set with a single
button, for effortless position changes without slowing production.
Smart handle
Attachable to the top face of the camera, the smart handle allows stable
camerawork and operation when the smart grip is difficult to hold, for example
in low-angle shooting. It’s also equipped with XLR terminals, a mic holder and a
digital Multi Interface (MI) Shoe, allowing use with a variety of existing pro
accessories. Two assignable buttons, a multi-selector button and a handle
assignable dial have also been added for improved operability. Quarter-inch
screw holes for accessory attachment are provided at seven locations on the
handle for increased freedom. Thoughtful touches for adaptable workflows are
also considered, such as including storage for the handle protection cap in the
handle itself – ready to seal the body connectors if the handle is removed for
rigging.
Professional connectivity
The FX6 features a range of professional interfaces including independent14
12G-SDI (supports 3G/6G-SDI) suitable for external 16-bit RAW recording as well
as HDMI output for program monitoring. Timecode (TC IN / TC OUT) connectors
allow multi-camera sync, and SuperSpeed USB-C 5Gbps (USB 3.2) allows shooting
data to be uploaded to a PC at high speed.
Metadata to facilitate editing with Catalyst
Sony’s Catalyst Browse and Prepare software are ideal production partners for
the FX6. The FX6 records three types of metadata: image stabilisation, clip
flag, and camera rotation. These can be useful when previewing and preparing to
edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare
software17. [1] Shoot [2] Edit
Data communications to support on-site workflow
Network communications features support FTP transfer for movie files as well as
remote shooting capability, to facilitate professional workflows during shoots.
Wireless 5GHz16 / 2.4GHz LAN connections are supported, and wired connectivity
to 1000BASE-T Ethernet networks is available via a USB-to-Ethernet adaptor cable
connected to the camera's USB Type-C® port supporting SuperSpeed USB 5Gbps (USB
3.2).
Two CFexpress Type A-compatible media slots
The camera's two media slots are compatible with CFexpress Type A cards as well
as SDXC/SDHC cards supporting UHS-I and UHS-II speed classes15. CFexpress Type A
cards are the next standard for compact storage with fast write/read speeds
suitable for 4K movie recording at high bit rates. They are capable of quickly
clearing camera buffers even when high volumes of movie data are being
generated.
S-Cinetone Sample Footage Video
Sony Australia - Shot on FX6 - Dreamers - BTS
Sony Film Festival 2021 Promo - shot on FX6
Note: Operation of this equipment in a residential environment could cause radio
interference.
Back
Size & Weight
WEIGHT (MAIN UNIT ONLY)Approx 890g (1lb15oz)DIMENSIONS (W X H X D) (INCLUDING
SUPPLIED ACCESSORIES)Approx. 2.59kg(5lb11oz) (with Viewfinder, Grip Remote
Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC
holder)DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS)114 x 116 x 153 mm(4 1/2
x 4 5/8 x 6 1/8 inch) (body without protrusions)
POWER
POWER REQUIREMENTSDC 19.5V
POWER CONSUMPTIONApprox. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G
Lens, Viewfinder ON, not using external device)
OPERATION
OPERATING TEMPERATURE0°C to 40°C, 32°F to 104°F
STORAGE TEMPERATURE-20°C to +60°C, -4°F to +140°F
POWER
BATTERY OPERATING TIMEApprox. 105min. with BP-U35 battery (while recording
XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device),
Approx. 215min. with BP-U70 battery (while recording XAVC-I QFHD 59.94p,
SEL24105G Lens, Viewfinder ON, not using external device)
RECORDING FORMAT (VIDEO)
XAVC INTRAXAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264,
XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K
25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p
mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode:VBR,
MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 59.94p mode:VBR, MAX bit
rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps,
MPEG-4 AVC/H.264, XAVC-I HD 25p mode:CBG, MAX bit rate 112Mbps, MPEG-4
AVC/H.264, XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264,
XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264, XAVC-I HD
59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 23.98p
mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode:VBR, MAX
bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode:VBR, MAX bit rate
300 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps,
MPEG-4 AVC/H.264, XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4
AVC/H.264
XAVC LONGXAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps,
MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate
50 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate
100 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150
Mbps, MPEG-4 H.264/AVC
RECORDING FORMAT (AUDIO)
RECORDING FORMAT (AUDIO)LPCM 24 bits, 48 kHz, 4 channels
RECORDING FRAME RATE
XAVC INTRAXAVC-I DCI4K mode:4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P,
XAVC-I HD mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-I QFHD
mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
XAVC LONGXAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L
HD 50 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L QFHD mode:3840 x
2160/59.94P, 50P, 29.97P, 23.98P, 25P
RECORDING/PLAYBACK TIME
XAVC INTRAXAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB):Approx. 74
minutes When using CEA-G80T (80 GB):Approx. 36 minutes, XAVC-I DCI4K/QFHD 25p
When using CEA-G160T (160 GB):Approx. 71 minutes When using CEA-G80T (80
GB):Approx. 35 minutes, XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160
GB):Approx. 60 minutes When using CEA-G80T (80 GB):Approx. 29 minutes, XAVC-I
DCI4K/QFHD 50p When using CEA-G160T (160 GB):Approx. 36 minutes When using
CEA-G80T (80 GB): Approx. 17 minutes, XAVC-I DCI4K/QFHD 59.94p When using
CEA-G160T (160 GB):Approx. 30 minutes When using CEA-G80T (80 GB):Approx. 15
minutes, XAVC-I DCI4K 24p When using CEA-G160T (160 GB):Approx. 74 minutes When
using CEA-G80T (80 GB):Approx. 36 minutes, XAVC-I HD 23.98p When using CEA-G160T
(160 GB):Approx. 185 minutes When using CEA-G80T (80 GB):Approx. 91 minutes,
XAVC-I HD 25p When using CEA-G160T (160 GB):Approx. 150 minutes When using
CEA-G80T (80 GB):Approx. 74 minutes, XAVC-I HD 29.97p When using CEA-G160T (160
GB):Approx. 150 minutes When using CEA-G80T (80 GB):Approx. 74 minutes, XAVC-I
HD 50p When using CEA-G160T (160 GB):Approx. 78 minutes When using CEA-G80T (80
GB):Approx. 38 minutes, XAVC-I HD 59.94p When using CEA-G160T (160 GB):Approx.
78 minutes When using CEA-G80T (80 GB):Approx. 38 minutes
XAVC LONGXAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160
GB):Approx. 430 minutes When using CEA-G80T (80 GB):Approx. 210 minutes, XAVC-L
HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB):Approx. 320
minutes When using CEA-G80T (80 GB):Approx. 155 minutes, XAVC-L QFHD
29.97p/25p/23.98p When using CEA-G160T (160 GB):Approx. 170 minutes When using
CEA-G80T (80 GB):Approx. 86 minutes, XAVC-L QFHD 59.94p/50p When using CEA-G160T
(160 GB):Approx. 115 minutes When using CEA-G80T (80 GB):Approx. 57 minutes
PROXY AUDIOXAVC Proxy: AAC-LC, 128 kbps, 2 channels
PROXY VIDEOXAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920x1080,
9Mbps
LENS
LENS MOUNTE-mount
CAMERA SECTION
SENSOR TYPE35 mm full-frame, single-chip CMOS image sensorPIXELSApprox. 12.9
megapixels(total), Approx. 10.2 megapixels(effective)BUILT-IN OPTICAL
FILTERSClear, linear variable ND(1/4ND to 1/128ND)
SENSITIVITYISO 800/12800 (Cine EI mode, D55 Light source)SHUTTER SPEED64F to
1/8000 sec
SLOW AND QUICK MOTION
XAVC-I1 to 60 frames (59.94/50/29.97/25/24/23.98), 4096x2160
XAVC-I/L1920 x 1080, 1 to 60, 100, 120, 150, 180, 200, 240 frames
(59.94/50/29.97/25/23.98), 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98),
3840 x 2160
WHITE BALANCE
WHITE-BALANCE MODESPreset, Memory A, Memory B (2000K-15000K)/ATW
EXPOSURE
GAIN CONTROL-3 to 30dB (every 1dB), AGC
GAMMA
GAMMA CURVESDR mode : S-Cinetone, Standard, Still, ITU709, HDR mode : HLG_Live,
HLG_Natural
LATITUDE
LATITUDE15+ stop
INTERFACE
TC INPUT/TC OUTPUTBNC, TC IN/OUT SwitchableAUDIO INPUTMic Reference: -30 to -80
dBu, XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectableSDI OUTPUTSDI
OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A/B)USBUSB Type-C(x1), Multi/Micro-B
(x1)HEADPHONE OUTPUT-16 dBu 16 Ω, Stereo mini jack (x1)
SPEAKER OUTPUTMonauralDC INPUTDC jackREMOTEStereo mini-minijack (Φ2.5 mm)HDMI
OUTPUTType A (x1)GRIPMinijack(φ3.5mm / 4pin)
MONITORING
LCD8.8 cm (3.5 type), Approx. 2.76M dots
BUILT-IN MICROPHONE
BUILT-IN MICROPHONEOmni-directional monoral electret condenser microphone (body)
(x1), Stereo electret condenser microphone (handle) (x1)
MEDIA
MEDIA TYPECF express Type A / SD card (x2), Slot B can be used for saving
configuration data.
WI-FI/NFC
SUPPORTED FORMATIEEE 802.11 a/b/g/n/acFREQUENCY BAND2.4 GHz bandwidth,
5.2/5.3/5.6/5.8 GHz bandwidth
SECURITY
WEP/WPA-PSK/WPA2-PSK
NFC
NFC Forum Type 3 Tag compliant
Back
* Sony FX6 Cinema Camera (ILME-FX6)
* Battery charger
* Battery pack
* Cold shoe kit
* Grip remote control
* Handle
* Handle connector cap
* LCD hood
* LCD monitor
* Lens mount cap
* AC Adaptor
* Power cord
* USB-C cable
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RRP: $249.00
* Sony FX3 Full Frame Cinema Camera Body
SON-ILMEFX3
NewNEW
$6,149.00
RRP: $6,699.00
* Big Show Shot Bag | Weight Bag in Black - 10kg
BIG-SHOTBAG10KG
$37.00
RRP: $49.01
* Sony E-mount Lens G FF 28-135mm F4 Zoom
SON-SELP28135G
$2,899.00
RRP: $3,399.00
* Metabones Smart Canon EF/EF-S Lens to Sony E-Mount Camera Adapter (5th Gen)
MET-MB-121
STAFF PICKSTAFF PICK
$699.00
RRP: $745.00
* Sony BPU-70 Lithium Ion Battery - 72Wh
SON-BPU70
$527.00
RRP: $572.00
* Sony 80GB CFexpress Type A TOUGH Memory Card
SON-CEAG80T
$279.00
RRP: $369.00
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