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microforces, Nils Benedikt Fischer
opening: wednesday, 16.10.24, 17:00 - 21:30
exhibition: 17.10.24 - 30.11.24
wed-sat 12:00-18:00



Nils Benedikt Fischer (*1987 in Dessau) is a visual artist who combines
sculpture, engineering, and filmmaking. In his work, he explores the boundaries
and intersections between the individual and technology. Using contemporary
manufacturing processes, he designs technical artifacts that often preserve a
personal sphere in the form of memories, narratives, or dreams. These
artifacts are tailored to convey a single message and break away from the system
of technological mass production, thereby becoming objects with their own
framework, often representing states of fragility and doubt. Born and raised in
Dessau, Fischer reflects on the search for identity and belonging, raising the
question of what can be done to find one's place in an over-regulated world.
Although natural forces are usually associated with powerful and destructive
events, they also encompass subtle processes that appear as early signs of
things to come. The exhibition micro forces brings together two different series
of technical objects that engage with personal memory and decision-making. Based
on the tradition of oracle inquiry, the model of a seasonal flooding becomes the
central metaphor for playfully engaging with the forces that shape one's
path through life.

Inhabited Basins (2024),  kinetic object.

The series Inhabited Basins (2024) unfolds an inner landscape and questions past
decisions that have led to profound changes in the artist’s life. The works
consist of basins filled with a cooling lubricant and platforms that set the
basins in motion. Each basin moves at a certain speed and radius, creating its
own temporal metric. The cooling liquids have varying degrees of turbidity,
veiling pictorial arrangements that serve as markers for the biographical
crossroads displayed on a map in the center of the installation. The map
consists of various landscapes which refer to biographical contexts of the
artist. Overlapping one another, these landscapes lose their geographical
validity and become an imaginary place of memory. A basin in the center collects
drops of cooling liquid and periodically pours them onto different sections of
the map. The seasonal flood (a familiar experience during the artist’s
childhood) activates different areas of memory and serves as the fertile source
to replenish the adjacent basins.


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Inhabited Basins (2024),  kinetic object, colored liquid.



Flying Carpets (2024), kinetic obejct

Encountering the disturbed reflections of the past is also a central theme in
the series Flying Carpets (2024), in which sheets of Kodak clear film move over
polished aluminum plates. Each film contains the image of a space once inhabited
by the artist. Through a process of encryption, the original content has been
transformed into patterns resembling the geometry of carpets. Floating above the
water-like aluminum surfaces, these carpets are kept in a permanent dance
with their own mirror images.




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Flying Carpets, 2024, Kinetic Object.



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