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 * ABOUT WALKANU
 * ENTRY
 * MEDIA & CONTACTS
 * FAQs


First Nations Artists from across Australia


$15,000 ACQUISITIONAL PRIZE

ACT NOW AND MAKE YOUR MARK


MAKE SUBMISSION

EXHIBITION DATES:

KALGOORLIE: GOLDFIELDS ART CENTRE
29 JUNE - 2 AUGUST 2024

ESPERANCE: THE CANNERY ARTS CENTRE
17 JULY - 1 AUGUST 2024

ENTRIES CLOSE: SUNDAY 26 MAY 2024
 * ABOUT WALKANU
 * VISION
 * MISSION
 * CATEGORIES & JUDGING
 * PRIZE CATEGORIES
 * OUR JUDGES
 * JUDGING PROCESS
 * MEDIA & CONTACTS
 * ENTRY
 * FAQs


ABOUT WALKANU

Walkanu is a Tjupan word meaning ‘to mark’ or ‘to paint’. This language with
roots in the Northwest Goldfields, from Barwidgee Station to Leinster and
beyond, has only six fluent speakers left. Our prize echoes the enduring strokes
of a culture rich in history and artistry.

The Walkanu Arts Prize was proudly created to celebrate NAIDOC Week, honouring
the rich history, culture, and achievements of Aboriginal and Torres Strait
Islander peoples.

At the heart of Walkanu is our commitment to showcase the incredible talent and
artistic diversity within First Nations communities across Australia. This
year’s theme is: Keeping the Fire burning! Blak, loud and proud.


VISION

The Walkanu Art Prize will support a thriving First Nations art scene in
Australia, where artists are recognised, and their cultural heritage is
celebrated. The event will empower Aboriginal and Torres Strait Islander
artists, promote cultural understanding, and contribute to the economic
development of the First Nations communities.

Mission

Celebrating NAIDOC Week

Exhibiting the Walkanu Art Prize during NAIDOC Week 2024, provides added
significance in the wake of the 2023 referendum outcome.

This alignment creates a powerful platform for First Nation artists to express
resilience, identity, and cultural richness, resonating strongly with both the
NAIDOC theme and the broader aspirations of Indigenous communities in Western
Australia.



Mission

Promotion of Indigenous Art

The Walkanu Art Prize’s focus on promoting First Nations art across four
categories not only showcases diverse artistic talents but also serves as a
vehicle for cultural preservation and transmission.



Mission

Economic Development

The Walkanu Prize is a critical initiative for Aboriginal and Torres Strait
Islander economic development. By facilitating artwork sales and alleviating
financial barriers such as shipping costs, the prize will directly contribute to
empowering First Nations artists.

This support is crucial for amplifying their presence in the visual arts
industry and enhancing their economic opportunities.



Mission

Access to New Markets

The Walkanu Prize’s timing and location — during NAIDOC and school holidays, in
Kalgoorlie and Esperance — maximizes audience reach, especially with
international and interstate tourists, thereby expanding the market for First
Nations art.

This strategic alignment helps to broaden the impact of this art beyond local
communities, aligning with other objectives of economic development and cultural
promotion.





CATEGORIES


TWO-DIMENSIONAL ART

$5,000


SCULPTURAL (3D) ART

$5,000


PHOTOGRAPHY

$2,500


DIGITAL ART

$2,500


CATEGORIES & JUDGING


PRIZE CATEGORIES

 * 2D CATEGORY
 * 3D CATEGORY
 * DIGITAL ART CATEGORY
 * PHOTOGRAPHY CATEGORY


DEFINITION

Two-dimensional art, including drawings, sketches, and paintings; all mediums
accepted.


MAXIMUM SIZE

10cm deep x 50cm wide x 50cm high (including any matting and framing)


WEIGHT LIMIT

Not exceeding 5kg


PRESENTATION

Must be ready to hang. Can be a single piece, diptych, or triptych; for multiple
pieces, provide a hanging diagram and note that collectively your pieces must
not exceed the maximum size.


SHORTLISTING

Maximum number of shortlisted items in this category is 75


PRIZE

This prize is acquisitional. Entries must be equal or lesser in value to $5,000
(the prize money).


DEFINITION

Sculptural art: all mediums accepted.


MAXIMUM SIZE

50cm high x 50cm diameter


WEIGHT LIMIT

Not exceeding 10kg.


PRESENTATION

Must be self-supporting (able to be displayed on a plinth). Works that require
complex assembly prior to display will not be considered.


SHORTLISTING

Maximum number of shortlisted items in this category is 40


PRIZE

This prize is acquisitional. Entries must be equal or lesser in value to $5,000
(the prize money).


DEFINITION

Any form of art that uses a computer or other form of digital technology as a
core part of its creation not including photographs (single frame, even if
digitally altered)


MAXIMUM SIZE

50cm wide x 50cm high (including matting and framing)


WEIGHT LIMIT

Not exceeding 5kg


PRESENTATION

Must be a high-quality print. Must be ready to hang.


SHORTLISTING

Maximum number of shortlisted items in this category is 15


PRIZE

This prize is acquisitional.
Entries must be equal or lesser in value to $2,500 (the prize money).


DEFINITION

A single frame photograph (including digitally enhanced or modified)


MAXIMUM SIZE

50cm wide x 50cm high (including matting and framing)


WEIGHT LIMIT

Not exceeding 5kg


PRESENTATION

Must be a high-quality print. Must be ready to hang.


SHORTLISTING

Maximum number of shortlisted items in this category is 15


PRIZE

This prize is acquisitional.
Entries must be equal or lesser in value to $2,500 (the prize money).




PHOTOGRAPHY IN NON-PHOTOGRAPHIC CATEGORIES

 * Photographs can be used only as part of a digital artwork (i.e. in a
   collage).
 * Montages of numerous photographic images that have been digitally altered and
   presents as a unique work rather than a single frame must be entered under
   the digital art category.

 * A piece of work that, in essence, is a single frame photograph (even if
   digitally enhanced or modified) must be entered under the photography
   category.


OUR JUDGES


ZALI MORGAN

Noongar artist and curator Zali Morgan from Boorloo, Perth, brings critical
insight into colonial narratives through her work “Australia by the Book,” using
steel plate etching and chin collé to…

Noongar artist and curator Zali Morgan from Boorloo, Perth, brings critical
insight into colonial narratives through her work “Australia by the Book,” using
steel plate etching and chin collé to cast light on the First Nations’
overshadowed histories. As a Guest Curator at John Curtin Gallery, she leads the
“N’yet’tin-ngal Wagur – Yeye Wongie” exhibition, showcasing Noongar artists’
reactions to the Carrolup collection, while also contributing as Assistant
Curator at AGWA and steering projects like 2023 NAIDOC’s “For Our Elders.” With
a Bachelor of Creative Arts from Curtin University and a Certificate IV in
Visual Art, alongside her experience at Wesfarmers Arts, Zali’s blend of
artistic talent and curatorial acumen makes her a pivotal figure in championing
a richer, more inclusive narrative of Australia’s heritage

Expand


RICHARD READ

Richard Read is Emeritus Professor and Senior Honorary Research Fellow at the
University of Western Australia, Perth. He wrote the first book on the
psychoanalytic art critic Adrian Stokes and…

Richard Read is Emeritus Professor and Senior Honorary Research Fellow at the
University of Western Australia, Perth. He wrote the first book on the
psychoanalytic art critic Adrian Stokes and published extensively on the
relationship between literature and the visual arts, and complex images in
global contexts. Recent books include Colonization, Wilderness and Other Spaces
co-edited with Kenneth Haltman (Terra Foundation for American Art, 2020; Yale
E-Portal 2022) and Sensory Perception, History and Geology: the Afterlife of
Molyneux’s Question in Nineteenth-century Landscape Painting and Cultural
Thought (Cambridge University Press, 2023). He is currently working on a book
concerning The Reversed Painting in Western Art and papers on ‘The Impact of
Colonialism on Western Art-Craft Distinctions.’

Expand


MARCIA LEONARD

Marcia Leonard is a dedicated Artistic Program Manager with a rich background in
art curation, art direction, and education. Holding a Bachelor of Visual Arts
from the University of New…

Marcia Leonard is a dedicated Artistic Program Manager with a rich background in
art curation, art direction, and education. Holding a Bachelor of Visual Arts
from the University of New South Wales, a Graduate Diploma in Visual Arts from
the Victorian College of the Arts, Melbourne University, and a Diploma of
Education Art Specialist from Monash University, her academic achievements lay a
solid foundation for her professional expertise. Marcia’s role at the Cannery
Arts Centre sees her deeply involved in curating exhibitions, developing arts
programming, and managing fundraising events, highlighting her commitment to
fostering community engagement through diverse artistic expressions. She also
serves as a regional curator mentor for the John Curtin Gallery Open Borders
Regional Triennial, where she contributes to contemporary art discourse.
Furthermore, Marcia has a notable history as a Visual Arts, Multimedia, and
Design Teacher at Esperance Anglican Community School, demonstrating her ability
to deliver curriculum-related activities across various art disciplines. Her
involvement in the Artful Leadership for Community Building Program and her
position on the GalleriesWest board underscore her dedication to advancing the
art community. Fluent in English and Greek, Marcia’s global perspective enriches
her professional and creative endeavors.

Expand


BRETT LEWIS

Brett Lewis, is a representative from the GABC Board. In addition to this role,
Brett is the Chairperson of the Tjiwarl Aboriginal Corporation, Director at
Bundarra Contracting and Director of…

Brett Lewis, is a representative from the GABC Board. In addition to this role,
Brett is the Chairperson of the Tjiwarl Aboriginal Corporation, Director at
Bundarra Contracting and Director of the Ngumbu Aboriginal Corporation. Brett is
deeply invested in Aboriginal advocacy and economic development.

Expand


JUDGING PROCESS


FAIRNESS, TRANSPARENCY, AND DIVERSITY STATEMENT

The Walkanu Arts Prize stands firmly on the principles of fairness,
transparency, and respect. We recognize and celebrate the diversity of artistic
expression that flows from the rich cultural tapestry of First Nations artists.
Every piece submitted is assured equal consideration, and every artist’s voice
is valued, providing a platform where the vibrancy and variety of Indigenous art
can be showcased and appreciated in its truest forms.


ETHICAL JUDGING PROCESS STATEMENT

The integrity of the Walkanu Arts Prize is upheld through our stringent ethical
judging process. Our conflict of interest policy ensures that judges with
personal or professional connections to participants recuse themselves,
guaranteeing an impartial evaluation. Rigorous measures, including blind reviews
and a balanced panel, are in place to prevent bias, ensuring each artwork is
assessed solely on its merit against the established criteria.


JUDGING CRITERIA

To ensure a fair and comprehensive evaluation of each artwork submitted for the
Walkanu Arts Prize, the following criteria and weightings will be used by our
panel of judges. Each artwork will be assessed on its merits across these
dimensions:


INTERPRETATION OF THE THEME

10%
To ensure a fair and comprehensive evaluation of each artwork submitted for the
Walkanu Arts Prize, the following criteria and weightings will be used by our
panel of judges. Each artwork will be assessed on its merits across these
dimensions:


ABILITY TO TELL A STORY

30%
This criterion assesses the artwork’s capacity to convey a narrative or message.
Judges will consider the clarity, depth, and emotional impact of the story being
told through the visual medium.


QUALITY OF COMPOSITION

20%
Judges will evaluate the arrangement of elements within the artwork, including
its use of space, colour, and form. A strong composition demonstrates the
artist’s ability to guide the viewer’s attention and harmonize aspects of the
piece.


CREATIVITY AND ORIGINALITY

10%
Originality of concept and creativity in execution will be key considerations.
This criterion rewards innovative approaches and the artist’s ability to present
familiar subjects in unexpected ways.


TECHNICAL SKILL DEMONSTRATED

30%
The level of craftsmanship and mastery of artistic techniques will be evaluated.
This includes the precision of lines, the application of mediums, and the
overall execution quality, showcasing the artist’s proficiency.


ENTRY


READ COMPETITION GUIDELINES

Have I read the competition guidelines and does my artwork meet the requirements
of entry?
Yes No


KEY DATES:

Submissions close: 26 May 2024
Shortlisted artists contacted: 03 June 2024
Kalgoorlie Exhibition: 29 June - 02 August 2024
Esperance Exhibition: 17 July - 01 August 2024


MEDIA & CONTACTS


CONTACT INFORMATION FOR MEDIA ENQUIRIES

Wander Around Events

Jade Malanczak: 0452 234 407
Claire Bateman: 0450 046 018

hello@wanderaround.com.au


FAQS

What is the Walkanu Arts Prize?
The Walkanu Arts Prize is an annual art competition celebrating the rich culture
and artistic talents of Aboriginal and Torres Strait Islander artists. It
coincides with NAIDOC Week, aiming to showcase the diversity and depth of
Indigenous art across Australia.
Who can enter the Walkanu Arts Prize?
The prize is open to all Aboriginal and Torres Strait Islander artists over the
age of 16, who live in Australia. Both emerging and established artists are
encouraged to submit their works that reflect this year's theme.
How do I submit my artwork for the prize?
Artists can submit their artworks through our online submission form available
on the Walkanu website. Please ensure you provide all required details,
including your artist statement and images of your work, before the submission
deadline.
Is there a submission fee for the Walkanu Arts Prize?
No, there is no fee to submit your artwork to the Walkanu Arts Prize. Our aim is
to make the competition accessible to all First Nations artists.
What types of artworks are accepted?

We accept a wide range of artworks, including paintings, sculptures, textiles,
photography, digital art, mixed media and more! We have four categories: 2D, 3D,
photography and digital art.

Artworks should align with the annual theme and must adhere to the size and
weight restrictions detailed in the submission guidelines.

How is the artwork judged, and what are the prizes?
Artworks are judged by a panel of respected artists, curators, and cultural
leaders based on criteria such as creativity, originality, and technical skill.
Prizes include a major cash award for the winning artist, as well as additional
prizes for runners-up and community choice awards.
Will my artwork be for sale if I submit it to the Walkanu Arts Prize?
Yes, all artworks submitted to the Walkanu Arts Prize will be available for sale
during the exhibition period. This initiative is designed to support the
economic empowerment of Indigenous artists by providing a platform for national
exposure and the opportunity to sell their work to art collectors and
enthusiasts.
What if I don’t want to sell my artwork?
The Walkanu Arts Prize is designed as an event that supports not only the
recognition but also the commercial success of Indigenous artists. As such,
participation in the prize requires that all submitted artworks be available for
sale. This approach is in place to foster opportunities for artists to gain
financial benefits alongside artistic accolades. If you prefer not to sell your
artwork, we regret that this would mean your work cannot be entered into the
prize. This policy helps ensure that all participating artists are aligned with
the Prize’s objectives of celebrating and supporting the economic empowerment of
the Indigenous art community.
Will my artwork remain my intellectual property if I submit it to the Walkanu
Arts Prize?
Yes, all submitted artworks remain the intellectual property of the artist. By
submitting your work, you grant the Walkanu Arts Prize a non-exclusive license
to display and promote your artwork for purposes related to the prize, but you
retain all ownership rights.
If I sell my artwork, do I lose my intellectual property rights?
No, selling your artwork does not mean you lose your intellectual property (IP)
rights to it. As the creator, you retain copyright over your original work,
which includes the right to be credited for your creation and to control how it
is used in the future. The sale of the artwork transfers ownership of the
physical piece to the buyer, but you, as the artist, maintain the copyright and
any other IP rights associated with the work. This ensures you can continue to
receive recognition for your art and have control over its reproduction and
display.
What happens if my artwork sells?
If your artwork sells during the exhibition, congratulations! We will promptly
notify you of the sale. At the end of the exhibition, we will process an
electronic bank transfer to you for the purchase price, less commission. We will
handle all aspects of the transaction, from communicating with the buyer to
arranging the artwork's delivery. This ensures you receive your earnings
smoothly and efficiently.
Entry Guidelines


We acknowledge Traditional Owners and recognise their ongoing connection to
land, seas, skies, plants and animals. We pay respect to Old People, Elders and
Community across this great land and thank them for their valuable contribution
to our society, culture and economy.

#BuiltByNGNY

Brought to you by

Thank you to our Sandalwood Sponsors

 * ABOUT WALKANU
 * ENTRY
 * MEDIA & CONTACTS
 * FAQs




Acknowledgement of Country

We acknowledge the Traditional Custodians of the lands across Australia,
celebrating the diversity and enduring cultures of Aboriginal and Torres Strait
Islander peoples. We respect Elders past, present, and emerging, and recognise
all First Nations Australians in our communities, acknowledging their
contribution to our shared culture and economy.

Commitment to Honour the Indigenous Art Code

We embrace the spirit of fairness, transparency, and respect that underpins the
Indigenous Art Code. We are committed to upholding the highest standards of
ethical trade and dealing with artists works and personal information. Our
actions are guided by a dedication to promote artists fairly, handle all
artworks with care, and resolve any disputes efficiently and justly. We pledge
to use artists contributions solely for the purposes outlined, with a clear and
honest approach, safeguarding the artists legacy and the authenticity of their
work.

I Accept