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Journey Beyond
the Horizon

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April 20 — November 24, 2024

Venice Naval Historical Museum Riva S. Biasio, 214B, 30122

Jerūiyq is a promised land from Kazakh legend, passed down to the present
through generations of oral tradition, serving as a metaphor for searching,
exploration, improvement, and invisible knowledge. Ancient tales about the
philosopher Asan Kaigy tell of his efforts to lead the nomadic people to lands
free from disease and hunger, where time grants eternal life.

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The word “kaigy” translates from Kazakh as “sorrow.” Common expressions such
as “fall into asan kaigy” use this name as a synonym for sorrow. Sorrow, like
a thin veil, hangs over the memory of the many utopias that have failed to be
realized in the endless steppe, through traumatic encounters with the dark side
of modernity: the tragic famine of the 1930s, craters carved out by nuclear test
sites in Semey, the desiccation of the Aral Sea, and other scars on the body of
the Kazakh land. The exhibition is based on a chronology of key artworks of the
utopian imagination of Kazakh artists since the 1970s (“Above the White
Desert” — K. Mulashov), through the works of the period of the emergence of
contemporary art in Kazakhstan (“Baikonur-2” by S. Maslov) to the present day —
including works based on artificial intelligence (“Presence” — Lena Pozdanykova
and Eldar Tagi).
















Pavilion of the Republic of Kazakhstan,
at the 60th International Art Exhibition — La Biennale di Venezia





















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