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WHITNEY HOUSTON - WHITNEY HOUSTON


180G SUPERVINYL LP

$59.99


SKU: MFSV1-527


WHITNEY HOUSTON - WHITNEY HOUSTON


180G SUPERVINYL LP

$59.99


SKU: MFSV1-527

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1

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LANDMARK DEBUT INTRODUCED ONCE-IN-A-GENERATION VOCALIST: 14-TIMES-PLATINUM
WHITNEY HOUSTON INCLUDES THE NO. 1 HITS “HOW WILL I KNOW,” “GREATEST LOVE OF
ALL,” AND “SAVING ALL MY LOVE”


SOURCED FROM THE ORIGINAL MASTER TAPES AND LIMITED TO 4,000 NUMBERED COPIES:
MOBILE FIDELITY'S 180G SUPERVINYL 33RPM LP PRESENTS 1985 BLOCKBUSTER IN
AUDIOPHILE SOUND


PCM DIGITAL MASTER TO ANALOG CONSOLE TO LATHE

Whitney Houston’s self-titled debut album has few parallels. Viewed solely
through the lens of sales numbers, Whitney Houston is a watershed statement on
par with the most commercially successful and culturally dominant LPs ever
released. Having sold more than 14 million copies in the U.S. and upwards of 25
million units worldwide, the 1985 LP became the equivalent of the television
show or blockbuster film that everyone collectively experiences and discusses.
Nearly four decades later, it’s lost none of its appeal or magnetism — and its
artistic significance and historical import have only grown.

 1.  You Give Good Love
 2.  Thinking About You
 3.  Someone for Me
 4.  Saving All My Love for You
 5.  Nobody Loves Me Like You Do
 6.  How Will I Know
 7.  All at Once
 8.  Take Good Care of My Heart
 9.  Greatest Love of All
 10. Hold Me





Sourced from the original master tapes, pressed at RTI on MoFi SuperVinyl, and
strictly limited to 4,000 numbered copies, Mobile Fidelity's 180g SuperVinyl
33RPM LP of Whitney Houston presents the breakthrough in audiophile sound for
the first time. The signature traits Houston exhibits on every song — her
three-octave range, radiant warmth, personal conviction, impossibly controlled
register — come across with exceptional clarity, focus, and presence. Free of
artificial ceilings and constricted dynamics, this reissue plays with an
openness, airiness, and balance that put the singer’s once-in-a-lifetime
instrument and immortal artistry into proper perspective.

It does the same for the songs’ cascading melodies and captivating arrangements.
Individually produced by one of four renowned industry veterans — Kashif,
Micheal Masser, Jermaine Jackson, and Narada Michael Walden — each composition
feels grander, closer, more genuine. A vocal spectacular, Whitney Houston
benefits from the high-end characteristics of SuperVinyl, which include a nearly
inaudible noise floor, superb groove definition, and dead-quiet surfaces. This
is how an album that changed the direction of popular music — opening previously
inaccessible doors for Black artists; bringing smooth-singing vocalists back
into the mainstream; kickstarting a movement that soon included several “divas”
who would command the charts through the early 21st century — should look and
sound.

Though Houston’s seemingly effortless performances suggest otherwise, creating
the record Rolling Stone ranks as the 257th Greatest Album of All Time wasn’t
easy. Nearly 18 months were required to identify songs suitable for a
still-unknown singer who did not fit into the conventional frameworks of the mid
‘80s. Confident, powerful, and prodigiously talented, Houston would forge her
own parameters with Whitney Houston. In the process, she obliterated the
stubborn lines between R&B and pop, Black and white radio. She dared to
reimagine who could be a superstar and then went out and defined the role.
Recorded for nearly $400,000 and released on Valentine’s Day, the LP exceeded
the wildest expectations of those most closely associated with it — save for
Houston and her family.

Having made her first public appearance at the age of 11 singing at a Baptist
church, Houston understood pressure and knew her way around, inside, and through
a song. The invaluable guidance and support she received from her mother, Cissy,
an accomplished gospel vocalist who backed Aretha Franklin and Elvis Presley,
are on display throughout Whitney Houston. They arrive in the types of
authoritativeness, discipline, and diction rare for even most seasoned veterans
— and unheard-of for a 21-year-old newcomer. Houston brings a soulful elegance,
understated glamor, and in-the-moment rapture to every note. Moving up, down, or
staying in the middle of the vocal ladder; channeling softness or sweetness;
showing restraint or increasing the volume, she is a marvel of emotionalism, a
dynamo who can seamlessly transition from one mood to another within a verse.

Though the 10-track LP largely concerns itself with the ballad tradition,
Houston covers the bases, getting into an R&B groove on the fleet “Thinking
About You,” turning up the heat on the duet “Take Good Care of My Heart,” and
investing the contagious dance-pop confection “How Will I Know” with all the
anxiety, hope, energy, and enthusiasm its lyrics demand. Featuring her mom on
background vocals and Houston’s pitch-perfect tone, uncanny precision, and
skyscraper highs (no AutoTune here, friends), the synth-based anthem propelled
Whitney Houston into the stratosphere, the vocalist into regular MTV rotation,
and the term “crossover” into popular parlance. The double-platinum single
reached No. 1 on the Hot 100, Hot R&B, and Adult Contemporary charts — a
trifecta that foreshadowed accomplishments that would ultimately crown Houston
as the most-awarded female artist of all time.

Whitney Houston became the first album by a Black female performer to top the
Billboard charts. It remained there for 14 non-consecutive weeks en route to
claiming the title of the best-selling LP of 1986. It stands as the first debut
and first album by a solo female artist to spawn three No. Hits, as well as the
first album by a Black female artist to top the year-end charts in Australia and
Canada. These are just a handful of the accolades — along with four Grammy
nominations — that surround a set that also contains the unforgettable ballad
“Saving All My Love,” string-accompanied “Greatest Love of All,” and sensual
“You Give Good Love.”

As TIME observed in an article written two years after the album took the world
by storm: “This is infectious, can't-sit-down music, and her performance dares
the listener not to smile right back.” We’re still smiling.

more...
x


MOFI ULTRADISC ONE-STEP

Instead of utilizing the industry-standard three-step lacquer process, Mobile
Fidelity Sound Lab's new UltraDisc One-Step (UD1S) uses only one step, bypassing
two processes of generational loss. While three-step processing is designed for
optimum yield and efficiency, UD1S is created for the ultimate in sound quality.
Just as Mobile Fidelity pioneered the Ultra High-Quality Record (UHQR) with JVC
in the 1980s, UD1S again represents another state-of-the-art advance in the
record-manufacturing process. MFSL engineers begin with the original master
recordings, painstakingly transfer them to DSD 256, and meticulously cut a set
of lacquers. These lacquers are used to create a very fragile, pristine UD1S
stamper called a "convert." Delicate "converts" are then formed into the actual
record stampers, producing a final product that literally and figuratively
brings you closer to the music. By skipping the additional steps of pulling
another positive and an additional negative, as done in the three-step process
used in standard pressings, UD1S produces a final LP with the lowest noise floor
possible today. The removal of the additional two steps of generational loss in
the plating process reveals tremendous amounts of extra musical detail and
dynamics, which are otherwise lost due to the standard copying process. Every
conceivable aspect of vinyl production is optimized to produce the most perfect
record album available today.

 


ULTRADISC ONE-STEP: THE FUTURE OF HI-FI

Everything begins with the meticulous cutting of a set of lacquers for a strict
number of records to be pressed. After being cleaned with a proprietary
chemical, the lacquers are rinsed in de-ionized water and dipped in stannous
chloride, enabling pure silver to adhere to the surface. This leaves a pristine,
extremely intricate silver layer. The lacquer is then mounted onto a conductive
copper bar and immersed into a tank with nickel anodes at 98 degrees. As
electricity is applied to the silvered lacquer, the nickel begins to deposit
onto the lacquer, while preserving the integrity of the grooves. The
nickel-plated silvered lacquer is then placed into a high-speed rotary tank at
120 degrees and spun at 88RPM to ensure the even application of a nickel layer.
Once the desired thickness of .012" is achieved, the disc is removed from the
plating tank and the nickel convert is separated from the lacquer. At this
point, the convert is formed into a single-use record stamper. This
first-generation convert is used to make the pinnacle of audiophile vinyl that
literally and figuratively brings listeners closer to the music.

(read more)



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